&Walsh is a New York–based creative agency founded by Jessica Walsh, specializing in branding, advertising, and art direction. The studio partners with clients from brand strategy through final production, creating emotionally resonant, goal-driven design. Beyond client work, &Walsh leads global social initiatives such as Ladies, Wine & Design and mental health advocacy projects. Recognized for creative excellence, Walsh received the 2024 D&AD President’s Award and served as Design Jury President at the 2025 Cannes Lions. The team, including Art Director Lucas Luz, continues to shape culture through design and purpose-driven storytelling.
Works with New Spirit, Panamera, Bureau Grot
Designers and creative leads attributed to AndWalsh in press coverage.
Technologies detected on AndWalsh's website.
Creative Boom profiles lettering artist Dan Forster, exploring how his late father Tony Forster’s calligraphic legacy and studio inspired his career shift from graphic design to hand-lettered typography. The article traces Dan’s journey through personal loss, rediscovery of craft, and his evolution into a sought-after lettering artist for global brands like Apple and Twinings. It highlights the enduring value of hand skills in an increasingly digital and AI-driven design landscape.
Creative Boom’s article covers &Walsh’s vibrant brand refresh and campaign for Lemon Perfect, a US-based organic lemon water brand. Jessica Walsh and her team repositioned the product as a joyful, craveable alternative to plain water through bold visuals, punchy color, and sensory-driven storytelling. The 360° campaign includes video, stills, and social assets that celebrate flavour and fun.
The Brand Identity interviews freelance designer and art director Fabrizio Morra about his whimsical, surreal approach to design and his evolution from illustrator to brand designer. Morra discusses his collaborations with studios like Snask, &Walsh, and Koto, as well as his Egg Doodle project for Brooklyn Brewery. He reflects on maintaining creativity, embracing playfulness, and seeking more tangible, hands-on projects in 2025.
Creative agency &Walsh has developed a cinematic brand identity for BATCH, a new technology company revolutionizing post-production with automated matte generation. The identity merges analogue film aesthetics with motion-driven digital elements to reflect the software’s speed and artistry. The project includes a brand system, website, and demo video that position BATCH as a forward-thinking player in the film industry.
The Brand Identity interviews Beijing-born, Brooklyn-based designer and art director Zitong Zhao about her multidisciplinary career spanning studios, agencies, and major brands. Zhao discusses her independent projects like #dobservations and her new creative label pioklepiokle, emphasizing authenticity, curiosity, and the value of being a generalist. The conversation explores her creative process, lessons from industry giants, and her philosophy on slowing down in a fast-paced world.
Creative Boom’s 'Hotlist 2025' highlights 25 of the most admired graphic designers worldwide, as voted by their peers. The article profiles leading figures such as Jessica Walsh, Felix Pfäffli, Emily Oberman, and others, showcasing their influence, studios, and creative philosophies. It serves as an inspirational roundup of current design talent shaping global visual culture.
BP&O’s feature by Emily Gosling explores &Walsh’s rebrand for Coolhaus, the women-led ice cream brand known for its playful personality. The new identity centers on 'Edible Creativity', using bold color blocks, hand-drawn illustrations, and a cohesive system spanning 60 SKUs. The result is a vibrant, unified brand that celebrates individuality while maintaining consistency across packaging and campaigns.
Creative Boom reports on &Walsh’s rebrand for Coconut Cult, a probiotic yoghurt brand known for its bold personality and health-driven mission. Jessica Walsh explains how the team balanced the brand’s playful, cult-inspired aesthetic with a more cohesive identity system. The new design introduces consistent wordmarks, mystical illustrations, and a vibrant palette to strengthen recognition while preserving its quirky charm.
The article profiles Jessica Walsh and her collaboration with Air to launch a new manifesto encouraging designers to embrace their 'weird' and reject bland branding. Through her 'brand therapy' approach, Walsh advocates for authenticity and individuality in brand identity. The piece also highlights how Air’s creative operations tools support this philosophy by streamlining creative workflows.
The Brand Identity interviews Matthew Roop and Dylan Chan, founders of Singapore-based YEYE Design Studio, about their journey from working at &Walsh and in startups to running their own idea-led practice. The couple discuss their complementary roles, philosophy of designing from strong concepts, and the studio’s growth through projects like Mixoloshe, ZEBEDEE, and Dadpack. Their story highlights perseverance, collaboration, and a belief in emotionally driven design.
Creative Boom’s 'Hotlist 2025' highlights 25 of the most admired design studios worldwide, as voted by industry peers. The article celebrates leading agencies such as Pentagram, PORTO ROCHA, Ragged Edge, and &Walsh for their innovative branding and design work across sectors from tech to fashion. It aims to inspire creatives by showcasing studios that are shaping contemporary design culture.
The Brand Identity’s interview with Europe-based freelance designer Sasyk Mihal explores his journey from early beginnings in Prague to working at Sagmeister & Walsh and building a thriving freelance career. Mihal discusses his process-driven approach to branding, his love for creative freedom, and his reflections on the Czech design scene. He highlights his project for Mythical State Of as a key example of his design philosophy and shares insights into balancing work, travel, and personal growth.
BP&O features &Walsh’s brand identity for new advertising agency Quality Experience (QX). The identity centers on a 3D 'biosphere' logomark and a suite of five dynamic logos, using a minimalist black and white palette and typefaces Da Vinci Display and Haffer. The article praises the overall sharpness and motion-led design but questions the distinctiveness of the multiple logos.
BP&O’s article by Emily Gosling reviews &Walsh’s new global branding system for the advertising agency GUT. The refreshed identity expands on the original 2019 logo with a custom 3D typographic system, city icons, and comprehensive brand guidelines to unify GUT’s international offices. The review praises the originality and scalability of the design while noting minor legibility issues at small sizes.
BP&O’s feature on .Oddity Studio’s self-initiated project, .Oddity Fragrance, explores how the Hong Kong-based collective merges design and scent to create a multi-sensory brand experience. The project, developed with perfumer Mark Buxton, emphasizes craftsmanship, conceptual storytelling, and the intersection of art and design. The article positions the work as an experimental, poetic, and tactile exploration of inspiration and sensory perception.
BP&O features &Walsh’s rebrand for indoor vertical farming company Plenty. The new identity replaces the brand’s industrial aesthetic with a bold, fast-food-inspired palette and a custom typeface that evokes organic forms. The project challenges traditional eco-branding tropes by embracing warmth, nostalgia, and category inversion.
Creative Boom’s article by Tom May highlights 36 fonts expected to trend in 2022, exploring the evolution of typography after the pandemic. It discusses key movements such as retro revivals, sustainability, accessibility, and the rise of custom and variable fonts. Designers and studios share insights on how type design is adapting to inclusivity, technology, and brand differentiation.
The Brand Identity interviews designer Ritesh Gupta about his experiences working client-side on rebrands with studios like &Walsh and Mother Design. He discusses his career path, his role at Gannett/USA Today, and his advocacy for diversity through Where are the Black Designers?. Gupta also reflects on mental health, public speaking, and the importance of authenticity in design.