
Koto is a global creative company with studios in Los Angeles, New York, London, Berlin and Sydney. It combines brand strategy, identity, digital design, motion and verbal systems. Its portfolio includes work for Amazon, Instagram, Microsoft and Tripadvisor.
Works with Centra No. 2 (2), Deacon, Ember Modern, Forma DJR Display, Greed, Champ, GT Maru, Sunset Gothic Pro
Awarded work credited to Koto. Coverage is partial; projects may be shared with other studios.
Entrant Company, Advertising Agency, Design Agency, Production Company: Koto
Entrant Company, Design Agency: Koto
Projects receiving Highly Commended, Honorable Mention or Special Kudos in the official archive. Listed separately from award wins; coverage is partial.
2025 · Honorable Mention · Print / Illustration
Client: Microsoft · Designer, Main Contributor: Microsoft Brand Studio, Koto, O0, Alexis Jamet · Design Firm: Microsoft Brand Studio, Koto, O0


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Sign in freeDesigners and creative leads attributed to Koto in press coverage.
Technologies detected on Koto's website.
Client: Microsoft · Designer, Design Firm: Microsoft Brand Studio, Koto Studio, O0 Design, Alexis Jamet · Main Contributor: Microsoft Brand Studio, Koto Studio
Koto has launched CcType, a type foundry informed by the studio's experience implementing typography across complex global brand systems. Its first release, CcTimeline, is a substantial multilingual variable typeface designed to perform across product, web, apps, campaigns, motion and out-of-home applications. The foundry also aims to simplify licensing through a single company-size-based licence covering brand, web and app use.
Tom May examines the divided creative response to Instagram's 2026 visual identity refresh by global studio Koto. Critics question the wordmark's hybrid cursive and geometric lettering, particularly its potentially misread 'r', while supporters argue that its negative-space construction, heritage cues and personality work within a wider identity system. The article frames the argument as a broader debate about accessibility, brand equity and whether logos should be judged independently or as part of an ecosystem.
Koto rebranded the Norton Museum of Art around the positioning line "Where Art Meets Life," presenting the West Palm Beach museum as an accessible community destination as well as an arts institution. The identity combines a custom heritage-inspired serif wordmark, Sharp Type's Centra No. 2, a revived Diana seal and a 40-degree slash motif. An adaptive colour system samples tones from displayed artworks across applications including posters, maps, advertising and the website.
Koto has repositioned Stack Overflow from a traditional programming Q&A forum into a trusted source of human-verified technical knowledge in response to AI-driven declines in traffic. The rebrand is built around the "Always in Build" concept, expressed through a stacked-block logo, retained orange colour palette, custom Stack Sans typeface, illustration, motion and layout principles. The article praises the identity's strategic clarity and restraint while questioning the use of Anthropic Claude to generate brand guidelines for a brand positioning itself against AI-generated knowledge.
Koto has rebranded Franki, a social restaurant-discovery and rewards app founded in Austin, around the strategic platform “make time dance”. The identity uses a warm yellow palette, Diatype Rounded, a flexible character-like symbol, energetic motion and candid photography to position Franki as a joyful, community-led alternative to restaurant discovery platforms.
Koto has launched CcType, an affordable font foundry intended to make the agency's typography knowledge and craft accessible beyond major clients. It debuts with the CcTimeline typeface, with individual styles priced from £60 and no renewal fees. Co-founder and chief creative officer Jowey Roden frames the venture as an extension of Koto's free Seasoned learning hub and its prior open-source font releases through Google Fonts.
Koto has rebranded Stack Overflow to emphasize the enduring value of its developer community in an AI-dominated era. The new identity, centered on the concept of 'always in build,' uses modular design, a custom typeface, and a generative tool built with Claude to reflect the platform’s collaborative spirit. The rebrand was publicly tested and launched at major tech events, positioning Stack Overflow as a trusted source of human-verified knowledge.
Koto has rebranded the Norton Museum of Art in Florida, reviving an 80-year-old wordmark and seal to bridge the museum’s historical legacy with a contemporary identity. The new system draws from Florida’s landscape and the museum’s architecture, using Centra No. 2 type and a dynamic color palette to reflect the institution’s dual nature as both cultural landmark and community hub.
Koto has refreshed the brand identity for The Norton Museum of Art in West Palm Beach, Florida, creating a system that balances heritage with modernity. The new identity centers on the idea of 'Where Art Meets Life', using archival elements, a refined wordmark, and a vibrant color palette inspired by Florida and the museum’s collection. The project emphasizes accessibility, warmth, and the museum’s dual role as both cultural institution and social space.
UnderConsideration’s Brand New features Koto’s redesign of the Norton Museum of Art’s visual identity. The project introduces a refined serif wordmark and seal-inspired logo, reflecting the institution’s cultural stature and modern direction. The article briefly notes the rebrand within the context of museum and cultural branding.
Koto has rebranded the Norton Museum of Art in West Palm Beach with a new identity centered on the idea 'Where Art Meets Life'. Drawing from the museum’s archives, architecture, and community, the rebrand revives historical elements like the Diana Seal and introduces a warm, inclusive voice and vibrant color palette. The result balances institutional gravitas with the everyday life and energy of the museum’s visitors.
The Brand Identity interviews Tom Hostler, Chief Digital Officer at Koto, about why consumer tech brands have become visually and emotionally indistinct. Hostler argues that decades of optimization have led to uniformity across devices and interfaces, and that future differentiation will come from brand behavior, ecosystems, and emotional resonance rather than hardware specs. He discusses how wearables, smart homes, and personal devices each pose unique branding challenges that require more conviction and clarity of purpose.
UnderConsideration’s Brand New briefly highlights Koto’s new logo and identity for Mews, a software company. The post notes the project as an evolution of the brand with a focus on motion and iconography. It is categorized under the 'Noted' section, indicating a concise feature rather than a full review.
Creative studio Koto has rebranded Mews, a Netherlands-based hospitality software platform, with a bold and distinctive identity that challenges the visual conventions of enterprise tech. The new system centers on hot pink, strong typography, and a confident tone of voice to make the brand more visible and human. The project demonstrates how B2B design can be both credible and expressive.
BP&O features Koto’s brand refresh for German nutrition app Yazio, which introduces a playful new identity centered on a yeti mascot named Yettie. The redesign emphasizes gamification, positivity, and approachability through custom typography by Hottype, bright turquoise gradients, and motion-led design. The article praises the lighthearted approach while noting its bold departure from typical fitness app aesthetics.
Creative Boom's March 'Booms & Shakes' roundup by Tom May highlights major movements across the design and advertising industry, including Ian Millner stepping down from Iris after 26 years, new creative leadership appointments at Bray Leino, Particle6, and BBC Creative, and the launch of Capel Group and Allwyn’s Studio 59. The article captures a month of expansion, new ventures, and evolving creative priorities across global studios.
BP&O’s Emily Gosling reviews Koto’s rebrand for Marblex, a blockchain gaming platform founded by Netmarble. The new identity centers on a mischievous goblin mascot named Goby, using neon green and playful typography to inject fun and personality into the Web3 gaming space. The project reframes Marblex from a technical platform to an imaginative gaming ecosystem.