
Author · Other · Writer
Like, so retro, but so the future.
The wordmark and the vast majority of the rest of the brand’s type is set in a custom typeface called quip Sans.
It’s just so goofy and playful and knowingly a bit silly, yet still manages to present a cohesive and confident brand within a perfectly unified system.
The new look, however, is super skilful; it’s totally contemporary yet heavily leaning on vintage tropes, and – just like harissa paste, Tunisia, and Brazil – absolutely radiates heat in the best possible way.
There’s no doubt that this is a convenience store identity unlike any other: it’s absolutely, wholeheartedly bold and unapologetic.
It really comes to life in motion, such as on the horizontal ticker-tape style text that moves along the screen on the Storrd website.
The identity for Eat Dirt does all that and more, and so safe to say, I love it.
If it wasn’t already abundantly clear, I love this project – it does everything it needs to do, and it does it really, really well.
It’s just a shame that it relies so heavily on swathes and swathes of copy to communicate things like the drink’s prebiotic qualities: the sheer amount of stuff on every can means that anything that’s good immediately gets a bit lost.
Premium and cute need not be mutually exclusive.
BP&O’s Emily Gosling reviews OlssønBarbieri’s brand identity for Theaterbaren, a new bar within Oslo’s Nationaltheatret. The identity blends theatrical melodrama with contemporary playfulness through custom typography, expressive illustration by Manon Cezaro, and a palette inspired by the theatre’s interiors. The result celebrates formality and spectacle while remaining accessible and vibrant.
Christopher Doyle & Co. refreshed Mecca Coffee’s brand identity to celebrate its 20th anniversary, creating a tactile, print-inspired system that balances industrial typography with folkish illustration. The new identity spans packaging, merchandise, and collateral, using hand-drawn icons and earthy colors to convey authenticity and craft. The result is a confident, human-centered brand that stands out in the specialty coffee sector.
BP&O’s Emily Gosling reviews Auge Design’s brand identity for Strangers, a new confectionery brand from Valgosa. The Milan-based studio developed the strategy, naming, and packaging, using generative design and gradients to express complex flavour profiles. The result is a sophisticated, moody identity that challenges confectionery norms with a mature, experimental aesthetic.
BP&O features Cotton’s brand identity for NoomaLooma, a new creativity wellness app founded by Piera Gelardi and Lakshmi Narayanee. The identity uses playful, generative 'o' forms, bright colors, and interactive typography to express the app’s focus on joyful, low-stakes creativity. While the design is praised for its flexibility and charm, the article notes that its childlike tone may undermine its credibility as a wellness tool.
Bielke & Yang has rebranded Norway’s Dataforeningen to better reflect its evolving role within the national tech community. The new identity draws on the concept of 'data culture', combining playful nostalgia with modern design sensibilities through bold colors, gradients, and a mix of serif and sans-serif typefaces. The result is a flexible, human-centered brand that celebrates the curiosity and creativity of Norway’s tech generation.
BP&O’s Emily Gosling reviews Kuba & Friends’ rebrand for pet insurance company Pumpkin. The new identity embraces the concept of 'pet parenting' with a bold tone of voice, custom typography, and vibrant color palette. While the art direction and type are praised, the illustration work is criticized as weaker and less cohesive.
BP&O’s Emily Gosling reviews A Friend of Mine’s brand identity for Melbourne eyewear retailer and optometrist Six Six. The project positions the store as an experiential, temple-like destination through a refined yet playful identity featuring a temple-inspired logo, bold yellow and black palette, and editorial-style films. Collaborating with interior architects Kennedy Nolan, the studio created a cohesive brand experience that merges fashion sensibility with clinical trust.
BP&O’s Emily Gosling reviews Made Thought’s branding and packaging for Juana, a Dubai-based CBD skincare brand founded by Yann Moujawaz Martini. The identity uses a restrained palette of greens and yellows, minimalist typography, and subtle art direction to convey calm confidence and scientific credibility. Despite criticism of the copywriting, the visual design is praised for its elegance, coherence, and differentiation in an oversaturated market.
BP&O’s article by Emily Gosling explores Pentagram London’s new brand identity for St Paul’s Cathedral, led by Domenic Lippa. The rebrand merges the cathedral’s religious heritage with a contemporary sensibility, featuring a refined wordmark inspired by historic engravings and a color palette drawn from the building’s materials. The project balances tradition and modernity through collaboration with the cathedral’s stonemasons and the use of Arizona Flare and Raleway typefaces.
BP&O’s Emily Gosling reviews Saint Urbain’s brand identity for Toronto-based Gaptooth Soda, a botanical soda brand celebrating imperfection. The identity uses hand-drawn typography, asymmetrical compositions, and bright colors to reflect the founder’s gap-toothed smile and the brand’s ethos of individuality. Saint Urbain handled naming, strategy, packaging, and visual design across multiple touchpoints.
BP&O’s Emily Gosling reviews The Collected Works’ branding for Sooki Foods, a new sesame oil brand inspired by Korean heritage. The identity combines playful mascot design with a refined color palette and tactile textures, balancing tradition and modernity. The project highlights TCW’s ability to create character-driven yet sophisticated packaging for a food startup.
BP&O’s Emily Gosling reviews SMLXL’s branding and packaging design for D’Arbequina, a limited-edition olive oil produced in Catalonia. The identity uses motion-sensor photography of deer roaming the olive groves to create unique, monochrome labels for each bottle. The project embraces minimal human intervention, black and silver aesthetics, and a conceptual approach that merges nature, data, and design.
BP&O’s Emily Gosling reviews Center’s rebrand of oral care brand quip, marking ten years since its launch. The Brooklyn-based studio created a new identity system featuring a custom typeface, quip Sans, developed with Burn Type, alongside a fresh color palette and packaging updates. The redesign aims to modernize quip’s image and better reflect its expanded product ecosystem.
BP&O features Earthling Studio’s rebrand for wine company Nice, emphasizing a bold yet refined identity that retains its signature pink while introducing new colors and typography. The project spans strategy, packaging, and tone of voice, positioning Nice as a confident, modern wine brand. Emily Gosling praises the design’s balance of fun and sophistication, aligning with Nice’s millennial audience.
BP&O features Blurr Bureau’s new brand identity for Yes! Apples, a collective of New York orchards. The project reimagines apple branding with a witty, nostalgic visual system inspired by fruit stickers, New York iconography, and playful typography. The result is a confident, joyful identity that revitalizes a traditional product category.
BP&O features Studio Mut’s brand identity for Caffè Nazionale, a historic café in Arzignano, Italy, reopened as part of a local revitalisation project. The identity draws from vernacular Italian signage and dialect, using a custom handwritten typeface by Stefan Marx and Dinamo alongside Helvetica Neue. With a minimal black, white, and red palette and a griffin mascot, the design balances local authenticity and contemporary sophistication.
BP&O features Bond’s bold new identity for LAB Institute of Design and Fine Arts in Finland. The rebrand introduces a dynamic, shape-shifting wordmark and custom typeface that embody the school’s philosophy of reform and transformation. The identity invites student participation through a digital tool that allows them to reshape the brand’s letterforms, supported by a minimal color palette and strong motion design.
BP&O’s Emily Gosling reviews the new visual identity for Brazilian-Tunisian textile brand Fouta Harissa, designed by Sometimes Always. The rebrand draws on vintage Arab cassette aesthetics and a fiery color palette to evoke warmth, craftsmanship, and cultural fusion between Tunisia and Brazil. Collaborations with designers Renata Sá, Solenn Robic, and photographer Hick Duarte contribute to a cohesive, editorially styled identity.
BP&O features Saint-Urbain’s brand identity for Digs, a US-based dogcare company offering daycare, grooming, and training services. The New York agency developed the brand from the ground up, including naming, strategy, and visual identity. The design balances warmth and professionalism through a clever dog-nose logo, vibrant yet restrained color palette, and retro-leaning illustrations.
BP&O’s Emily Gosling reviews Wedge’s rebrand for Equip, a protein supplement company founded by Dr. Anthony Gustin. The new identity embraces a rustic, back-to-basics aesthetic that contrasts with the hyper-masculine, techy look common in the protein market. Using earthy tones, vintage-inspired typography, and subtle illustrations, Wedge positions Equip as a trustworthy, natural alternative in the wellness space.
BP&O’s Emily Gosling reviews Pentagram London’s new brand identity for Chateau Engalin, a French wedding and hospitality venue founded by chef Marwan Badran. The identity, led by Samar Maakaroun, uses a custom fluid wordmark and a food-inspired color palette to reflect the chateau’s dual nature of refinement and exuberance. The design balances tradition with expressive modernity, uniting the venue’s culinary and artistic ethos.
Motionographer’s article announces MOUVO 2026, the eleventh edition of the Prague-based motion design festival organized by Oficina. The 2026 theme, 'Space', explores physical and digital environments through talks and performances at the Prague Planetarium and CAMP. The lineup includes artists and studios such as Julius Horsthuis, Kurzgesagt, Lucas Gutierrez, and Andstudio, reflecting the festival’s focus on interdisciplinary and immersive motion design.
BP&O’s Emily Gosling reviews Koto’s rebrand for Marblex, a blockchain gaming platform founded by Netmarble. The new identity centers on a mischievous goblin mascot named Goby, using neon green and playful typography to inject fun and personality into the Web3 gaming space. The project reframes Marblex from a technical platform to an imaginative gaming ecosystem.
BP&O’s Emily Gosling reviews andstudio’s brand identity for Mostai, a new padel club in Vilnius, Lithuania. The identity uses dual wordmarks, warm Mediterranean-inspired colors, and nostalgic illustrations to reflect the sport’s social and leisure-driven roots. The project balances dynamic energy with inclusivity and community focus, extending across signage, merchandise, and interiors.
BP&O’s Emily Gosling reviews Saint-Urbain’s branding for the dating app Cerca, which connects users through mutual contacts. The New York studio developed the app’s identity, strategy, and design, using bold typography, textured illustrations, and a confident tone to convey trust and humanity. The result positions Cerca as a lifestyle brand that bridges digital and physical spaces with a refined yet playful aesthetic.
BP&O features SMLXL’s branding for HotDog, a petcare brand that blends humor, fashion editorial aesthetics, and meme culture. The identity uses Founders Grotesk, witty illustration, and a clever black-and-white logo depicting two dogs to create a playful yet sophisticated visual world. The project demonstrates how to balance fun and beauty in branding without pretension.
BP&O’s Emily Gosling reviews Foreign Policy’s branding for Makan, a Singaporean restaurant in Mexico City founded by Mario Malváez and Maryann Yong. The identity fuses Singaporean and Mexican cultural cues through expressive illustration, a bold color palette, and an eclectic mix of typefaces. The result is a maximal yet thoughtful design that avoids clichés and celebrates vernacular influences.
BP&O features Among Equals’ brand identity for Storrd, a new London-based convenience store concept that aims to elevate the category with a bold, minimalist design. The identity uses a striking ultraviolet purple and black palette, Trade Gothic Next typography, and playful touches like the Receipt typeface to balance sophistication with everyday practicality.
BP&O’s feature by Emily Gosling explores Studio NARI’s rebrand for Swedish coffee equipment manufacturer 3TEMP. The London studio developed a comprehensive identity system around an existing logo, balancing technical precision with tactile, human-centered design. The result reframes 3TEMP from a purely functional brand into one that celebrates brewing as a cultural and expressive act.
Base Design’s Brussels studio created a dynamic and flexible brand identity for Kanal, a new museum of modern and contemporary art and architecture opening in Brussels. The identity uses a custom variable typeface, Kanal Edge, and an open duotone colour system to reflect the institution’s evolving, participatory ethos. The project balances experimental, zine-like energy with a robust strategic framework that unifies its many cultural strands.
BP&O features the branding and packaging for Eat Dirt, a new eco-friendly detergent brand designed by Marta Veludo Studio in collaboration with illustration duo Cachete Jack. The identity combines playful illustration, bold typography, and vibrant colors to reimagine the cleaning product category. The article praises the project’s creativity, structural design, and strong art direction.
BP&O’s Emily Gosling reviews Kinoto Studio’s branding and packaging for Xochi, a prebiotic agave soda inspired by Mexican culture. The identity uses vibrant colors, layered patterns, and multiple typefaces from Vocal Type and others to evoke festive street aesthetics. While the concept and typography are praised, the article criticizes the lack of cohesion and visual hierarchy across variants.
BP&O’s Emily Gosling reviews Bold Scandinavia’s brand refresh for Swedish mobile carrier Fello. The new identity introduces a playful mascot, a custom typeface, and a bold yet minimal color palette to bring warmth and personality to the telecom sector. The project balances Scandinavian simplicity with characterful design, standing out in a typically conservative industry.
BP&O’s feature by Emily Gosling explores Porto Rocha’s rebrand for Kunsthalle Basel, developed under new director Mohamed Almusibli. The identity centers on a flexible KB monogram, custom typography, and a dynamic system that balances institutional gravitas with openness and experimentation. The project includes motion design, a new website, and a variable color system reflecting the museum’s evolving curatorial approach.
BP&O’s Emily Gosling reviews Moniker and ModestWorks’ brand identity for Atlético Dallas, a new professional soccer club launching in 2027. The design draws on Dallas folklore, using a wolf and snake motif to symbolize courage and precision, and combines heraldic illustration with a minimal modern system. The result is a timeless yet contemporary identity that connects deeply with the city’s culture and ambitions.
BP&O features Seachange’s branding for Evil Ray, an Australian sunscreen brand created by Pembleton. The design departs from traditional suncare aesthetics with Tarot-inspired illustrations by Reg Mombassa, bold purple and yellow colorways, and UV-reactive labels. The project showcases Seachange’s innovative approach to structural packaging and brand storytelling.
Base Design created a new brand identity for The Huntington, a century-old cultural institution in Southern California. The rebrand simplifies its name and visual system, introducing a refined 'H' monogram, typographic pairing of Moulin and Messina Sans, and a flexible color palette inspired by pigment and plant life. The project aims to unify the institution’s diverse offerings under a cohesive, contemporary identity while maintaining its heritage character.
BP&O’s Emily Gosling reviews Studio Blackburn’s refreshed brand identity and campaign for So Energy, a UK renewable energy provider. The new identity centers on the concept ‘Live Life Energised’, using a stripped-back palette of black, white, and Electric Yellow, bold Founders Grotesk typography, and functional yet playful illustrations. The work aims to make renewable energy relatable and visually distinctive in a crowded market.
BP&O features Saint-Urbain’s brand identity for Yoshi, the first premium matcha liqueur. The project blends ritual and nightlife influences through hand-drawn typography, a swirl motif inspired by the matcha whisk, and a bold green packaging system. Writer Emily Gosling praises the design as a standout example of contemporary branding that feels both fresh and timeless.
BP&O features Wedge’s rebrand of Cocofloss into Cocolab, a bold repositioning that reframes oral care as beauty care. The new identity combines confident typography, expressive color, and editorial-style photography to create a joyful, design-led brand system. The project expands the brand’s scope beyond floss into a broader 'Smile Care System' with a flexible, future-facing identity.
BP&O’s Emily Gosling reviews Base Design Saigon’s rebrand of Pizza 4P’s into 4P’s, a hospitality brand expanding across Asia. The identity introduces a new philosophy-driven positioning, ‘Platforms for Peace,’ along with refined typography, a blue-and-white palette, and a burrata mascot named BUU. While praising the visual design and type choices, Gosling critiques the confusing name and inconsistent apostrophe use.
Pentagram’s New York team led by Matt Willey created a flexible, contrast-driven brand identity for Momofuku’s new Los Angeles restaurant, Super Peach. The design features hand-drawn wordmarks by illustrator Pol Montserrat, a restrained black-and-white palette, and expressive brushstroke illustrations. The result is a lively, intentionally imperfect system that balances restraint with energy and personality.
Creative Boom interviews Swiss artist Luciano Castelli about his five-decade career spanning painting, performance, music, and photography. The discussion centers on his new exhibition 'Whispers of Japan' at Kulturstiftung Basel H. Geiger, exploring his fascination with Japanese culture, Butoh, and self-portraiture. Castelli reflects on his restless creativity, collaborations with Salomé, and his role in the 1980s Junge Wilde movement.
BP&O’s feature by Emily Gosling explores Colt’s rebrand of the former Mondrian Park Avenue into Hotel Park Ave NYC for Lore Group. The London-based studio developed a refined yet confident identity centered on a sculptural monogram, a limited four-color palette, and a typographic system pairing Albertus and Univers. The result is a sophisticated, design-led hospitality brand that balances heritage and modernity without resorting to clichés.
BP&O features LG2’s rebrand of Quebec-based condiment brand MAG, known for its innovative silica aerogel label technology. The new identity centers on a bold, mayo-inspired wordmark, vibrant color system, and editorial-style art direction that balances retro charm with modern simplicity. The project showcases LG2’s ability to create a cohesive, scalable brand system across packaging and digital applications.
BP&O features Studio NARI’s rebrand for digital fashion leader House of Blueberry, aimed at Gen Alpha and Gen Z audiences. The new identity introduces a vivid purple palette, animated wordmark, and expressive avatars to bridge gaming, social, and real-world spaces. The project reflects NARI’s strategic framework ‘Dare to Be’, emphasizing limitless expression and digital fluidity.
BP&O features Cotton’s brand identity for Eternal Research, a Los Angeles-based music technology company founded by Alexandra Fierra. The identity fuses Victorian ornamentation with generative, audioreactive design to reflect the brand’s experimental instruments like the Demon Box. The project showcases an elaborate typographic system and richly gothic art direction that challenges the minimalist norms of the synth industry.
BP&O features Seachange’s brand identity for Bugg, a new gardening brand from New Zealand positioned as a playful yet premium sibling to Gubba. The identity blends witty editorial photography, earthy yet vibrant colors, and tactile packaging details to reimagine gardening as a lifestyle marked by taste and eccentricity. The project showcases Seachange’s skill in balancing refinement with humor and craft.
Creative Boom’s feature by Emily Gosling marks Penguin’s 90th anniversary by exploring how typography shaped its identity. Through insights from Monotype creative director Charles Nix, the article traces Penguin’s evolution from Jan Tschichold’s modernist rigor to its digital-era adaptability. It highlights how consistent typographic systems built a brand synonymous with clarity, accessibility, and cultural influence.
BP&O’s Emily Gosling reviews Universal Favourite’s branding for Butter Baby, a Jakarta-based dessert store built around a whimsical butter-alien mascot. The studio developed a full verbal and visual identity, including character design, packaging, motion, and interiors, using a bright yellow palette and playful typography. The article praises the project’s originality and conviction in creating a character-driven brand world.