Dinamo

BP&O · Jul 28, 2026

Emily Gosling reviews 20(Something)'s rebrand for Open Point, a civic software platform formed by merging Social Pinpoint and Consultation Manager. The identity combines a chiselled, Roman-inspired typographic approach, deep greens and purples, and a flexible open-point logo that works in both flat and animated 3D applications. The article praises its museum-like gravitas and warmth as an unexpected but effective fit for civic technology.

The Brand Identity · Jul 28, 2026

London-based Studio Lisca created the launch identity for River House, a design-led residential building company in Suffolk. The system combines a geometric brick-derived pattern with the movement of local rivers, deploying it across print, digital applications and signage. A pale blue and brick-red palette, alongside ABC Arizona Flare and Hanken Grotesk, gives the brand a contemporary alternative to conventional heritage-led construction branding.

The Brand Identity · Jul 22, 2026

Berlin-based Sonder Studio created the strategy, visual identity and verbal identity for VERITAS, the redevelopment of Wittenberge's former sewing-machine factory into a district for hotels, restaurants, offices and events. Drawing on the site's historic clock tower, the identity uses a circular clock-face logo, a custom Ulrich Sans wordmark, functional typography and a palette rooted in the town's industrial and architectural context.

The Brand Identity · Jun 30, 2026

The article covers the 2026 identity refresh for POV Budapest, Hungary’s first design conference, created by CM.SUPPLY in collaboration with COMET. Building on previous years’ visual systems, the new identity introduces motion and behavioural elements inspired by Hungarian modernists, maintaining its bold red-orange palette and typographic foundation.

The Brand Identity · Jun 2, 2026

Milan-based studio Velvele designed a brand identity for longevity brand Omnui, built around five core values expressed through a dot-based icon system. The identity merges organic and digital influences, using a warm 'Subtle Yellow' and 'Offline Black' palette and the ABC Favorit typeface by Dinamo. The result balances symbolism and clarity to reflect Omnui’s holistic approach to health and longevity.

The Brand Identity · May 28, 2026

The Brand Identity features Dinamo’s latest type release, ABC Schengen, a six-year collaboration with Seb McLauchlan and Luke Charsley. The type system merges Helvetica and Eurostile influences into 108 styles inspired by the Eurozone’s industrial and logistical aesthetics. The project explores the tension between functional design and cultural identity, resulting in a versatile, variable type family spanning multiple scripts.

The Brand Identity · May 7, 2026

Leo Design created the Holiday Detox Pack for Lake of Bays Brewing Co., a six-day beer set that visually represents a gradual reduction in alcohol content through blurred numerals. The Toronto studio used a custom Dinamo typeface, Leo Repro, and hand-treated each number to reflect increasing clarity. The minimalist packaging was initially a client gift and may expand into the brewery’s product line.

It's Nice That · Apr 27, 2026

Dinamo has launched its first out-of-home print campaign for its Arizona typeface, featuring Berlin-based musician horsegiirL as the face of the project. The campaign, art directed by Dinamo and Veryes with photography by Tereza Mundilová, celebrates the re-release of Arizona with new condensed and compressed subfamilies. The project spans billboards, posters, and a fold-out type specimen inspired by teen magazines, blending music culture and typography in a playful, physical format.

BP&O · Mar 26, 2026

BP&O features Studio Mut’s brand identity for Caffè Nazionale, a historic café in Arzignano, Italy, reopened as part of a local revitalisation project. The identity draws from vernacular Italian signage and dialect, using a custom handwritten typeface by Stefan Marx and Dinamo alongside Helvetica Neue. With a minimal black, white, and red palette and a griffin mascot, the design balances local authenticity and contemporary sophistication.

The Brand Identity · Mar 25, 2026

Barcelona-based studio Phantasia created the brand identity for Riad El Aaiún, a boutique hotel in Marrakech, by abstracting the city’s rooftop crenellations into a modular graphic system. The identity balances geometric precision with warmth through tactile materials and Dinamo’s ABC Arizona typeface. The result reflects the riad’s blend of traditional Moroccan architecture and contemporary sophistication.

It's Nice That · Feb 27, 2026

Dinamo has launched ABC Schengen, a new auto- and industry-inspired typeface family designed by Seb McLauchlan with Luke Charsley. Six years in development, the project explores the visual language of European trade, transport, and manufacturing, resulting in 108 fonts and three companion revivals. The article delves into the design process, inspirations, and collaborative nature of the release.

BP&O · Feb 4, 2026

The article explores MOUTHWASH Studio’s evolution of Seed’s brand identity, focusing on how to visualize the unseen world of microbes through design. Collaborating with type foundry Dinamo, the team developed Seed Sans, a variable typeface and expanded color system that balance scientific credibility with approachability. The refreshed identity reflects a broader shift toward adaptive, evidence-based branding in the health and science sector.

The Brand Identity · Dec 2, 2025 · Interview

The Brand Identity interviews OpenAI Design Directors Shannon Jager and Cary Hudson following their talk at POV Budapest 2025. They discuss OpenAI’s recent rebrand, created in collaboration with Dinamo and Studio Dumbar, and explore how human craft remains vital in an age of AI-generated design. The conversation highlights the balance between technology and human creativity in shaping approachable, emotionally resonant design systems.

The Brand Identity · Oct 2, 2025

Village Green’s ‘Font Family’ project brings together type foundries to create screen-printed posters raising funds for War Child UK. Led by Tom Fearn, the initiative pairs contrasting typefaces to form playful, human-like compositions, celebrating collaboration and craft. The project involved multiple foundries, a specialist printer, and photographer Sun Lee, emphasizing tactile design and community spirit.

The Brand Identity · Sep 9, 2025

The Brand Identity features Emma Kaniuk & Company’s brand identity for Homeward Books, a small press dedicated to unconventional literature. Inspired by the hermit crab as a metaphor for ‘books without a home,’ the identity combines illustration, 3D design, and adaptable typography to express creativity and resilience. Collaborations with international illustrators and type foundries helped create a flexible, evolving visual system that has already elevated Homeward’s industry presence.

The Brand Identity · Sep 2, 2025

Studio Bruch reimagined the historic Hotel Old Post in Bad Hofgastein as the newly branded Post Post Hotel, embracing its postal heritage with a modern, playful identity. The project features a custom typeface, BR-Post, inspired by postage stamps, and illustrations by Daniel Triendl that bring warmth and character to the brand. The result is a refined yet contemporary rebrand that balances tradition with modern hospitality appeal.

The Brand Identity · Aug 27, 2025

Ragged Edge has unveiled a comprehensive rebrand that reinforces its founding ethos of 'rejecting average.' The new identity, built around the concept 'Never be the same again,' features a dynamic visual system called the Edge Spectrum, created using TouchDesigner and Cinema 4D. The rebrand introduces custom typography, warmer organic colors, and a partnership-focused philosophy that reflects the agency’s evolution and creative ambition.