Blaze Type is an independent type foundry founded by Matthieu Salvaggio in Marseille in 2016. It publishes retail typefaces by an international network of designers and works on custom fonts, wordmarks, lettering and font production.
Works with Indecisive Mono (2), Pablo Grotesk (2), Macrosoma Grotesque (2), Quadro (2), Dean Soft (2), Apoc (2), Big Sans (2), Calyx (2)
People credited alongside Blaze Type in published articles. These historical credits may include collaborators and do not represent the current team.
Creative Boom’s article by Tom May spotlights eight standout typefaces from Blaze Type that enhance editorial design. The feature highlights each font’s design intent, versatility, and technical features, showcasing Blaze Type’s growing influence in contemporary typography. It also references real-world applications such as the 22º Bienal Sesc Videobrasil project by Luciana Facchini.
Toronto-based creative company newkid created a human-centred brand identity for Howie, an AI scheduling tool in private beta. Rejecting familiar AI visual codes such as gradients, glowing orbs and neural-network imagery, the identity positions the product as "The People’s Secretary" through fashion-led photography, expressive casting, a muted but unexpected colour system, and Slussen typography. The launch helped Howie double its customer base during launch week.
The article profiles Paris-based designer Gwennina Moigne and her astrological typeface Solæ, developed in collaboration with Blaze Type. The project evolved from a 2018 typographic revival brief into a fully realized font inspired by celestial forms, culminating in a poster exhibition featuring 12 invited studios. The piece explores Moigne’s process, design philosophy, and the collaborative celebration of the typeface’s launch.
Kenshō has refreshed the identity of Thai bicycle brand Nich to support its international expansion. The project focuses on evolving the brand’s heritage through a refined wordmark, thoughtful typography system, and culturally grounded art direction. The result balances Thai authenticity with global appeal, positioning Nich for success in new markets.
The Brand Identity features Emma Kaniuk & Company’s brand identity for Homeward Books, a small press dedicated to unconventional literature. Inspired by the hermit crab as a metaphor for ‘books without a home,’ the identity combines illustration, 3D design, and adaptable typography to express creativity and resilience. Collaborations with international illustrators and type foundries helped create a flexible, evolving visual system that has already elevated Homeward’s industry presence.
Creative Boom’s feature explores how design studio TEMPLO rebranded GF Smith, the iconic paper company, with a bold, color-rich identity that bridges heritage and modernity. The project introduces a dynamic logo, custom typeface, and digital experiences that reflect GF Smith’s creative spirit. Collaborations with Blaze Type and Made by ON helped bring the tactile qualities of paper into digital form.
Brooklyn-based studio Team has delivered a refined visual refresh for investment firm General Atlantic, drawing inspiration from the oceanic themes of its original logo. The new identity emphasizes depth, simplicity, and confidence, featuring a custom wordmark by Space Type’s Lynne Yun and the typeface Rules by Blaze Type. The project balances heritage with modernity through a sea-hued palette, minimalist design, and versatile applications across digital and print touchpoints.
JOAN Creative has introduced a silver, metallic rebrand to reflect its expansion from an advertising and storytelling agency into production and boutique branding. Led by Creative Director Anjela Freyja, the identity combines a sharp custom wordmark referencing Joan of Arc’s sword with Rules by Blaze Type and Times Newer Roman by MSCHF.
The Brand Identity interviews Matthieu Salvaggio, founder of Lyon-based type foundry Blaze Type, about the studio’s collaborative approach to type design and its philosophy of fair, flexible font licensing. Salvaggio discusses the evolution of Blaze Type’s catalogue, the challenges of running a foundry, and the process behind complex releases like Sigurd. The conversation highlights the foundry’s commitment to accessibility, experimentation, and designer collaboration.