Dalton Maag is a London-based typeface design studio founded in 1991 by Bruno Maag. It develops a retail font library and works with clients on custom typefaces, font modifications and logo refinement.
Works with Amarelle Chancery (3), Aktiv Grotesk (3), Aldgate Sans (2), Darkmode Mono (2), InterFace (2), Lexia Mono (2), Bankside Serif (2), Amarelle Sans (2)
People credited alongside Dalton Maag in published articles. These historical credits may include collaborators and do not represent the current team.
Kenshō has refreshed the identity of Thai bicycle brand Nich to support its international expansion. The project focuses on evolving the brand’s heritage through a refined wordmark, thoughtful typography system, and culturally grounded art direction. The result balances Thai authenticity with global appeal, positioning Nich for success in new markets.
The Creative Boom article by Tom May outlines nine common warning signs that a client project may be heading toward chaos, as shared by experienced creatives. It highlights issues such as vague briefs, disappearing clients, unclear budgets, and conflicting feedback, offering practical advice on how to address each scenario. The piece emphasizes proactive communication, structured processes, and knowing when to walk away from problematic projects.
Creative Boom’s March 2025 roundup highlights six innovative new typefaces from leading foundries and designers. The article explores how each font—ranging from Damien Gautier’s Naancy to Positype’s Boom Sans—demonstrates creativity, accessibility, and cultural expression in contemporary typography. It also notes the evolution of Atkinson Hyperlegible Next as a major step forward in inclusive design.
Hybrid Design created a brand book for Indeed that celebrates the company’s employees and the evolution of its identity. The publication serves as the first major physical expression of the digital-first brand, using shape-based design, vibrant colors, and Indeed’s custom typefaces to showcase the brand’s process and people. The project highlights collaboration between Hybrid Design, Indeed Design, and Dalton Maag.
San Francisco studio Hybrid Design created a modular packaging system for Sonos Accessories that extends the audio brand's wider identity across current and future products. The system uses an adaptive grid, simplified bespoke illustrations and FSC-certified Sonos Custom Kraft paper to create consistent, tactile and recyclable packaging.
The Brand Identity interviews London-based design studio Two Times Elliott about their collaboration with type foundry Dalton Maag on a series of free online typography workshops. The sessions aim to help designers make informed typographic decisions through interactive modules and fictional brand exercises. The workshops reflect the studios’ shared commitment to education and collaboration in design.
The Brand Identity interviews London-based NB Studio, founded by Alan Dye and Nick Finney, about their philosophy of 'Creative Courage' and their approach to branding projects for clients like Almeida Theatre, Ravensbourne, and TypoCircle. The discussion explores their collaborative process, evolution as a studio, and emphasis on bold, flexible design thinking.