A grotesque family used as a primary brand voice, in broader typographic palettes and as the basis for custom adaptations. View at Klim Type Foundry →
Used by Ateljé Altmann (5), Pentagram (3), André Cruz (2), Order Design (2), newkid, Koto
Set for Porto Design Biennale (2), Art Makers, Ateljé Altmann, Butter Baby, Comédias do Minho, Erika Stahlman, Forum för levande historia, Herman Miller, Isomorphic Labs, Klim Type Foundry
Find design references using Söhne. Browse project images and studio credits, then follow each case to its source. Typeface names come from catalogued studio writeups; coverage is limited to projects with recorded credits.
Visual Identity For Porto Design Biennale 2023 Edition
Creative studio newkid rebranded Primer, a network of teacher-led schools, around the concept of 'building blocks' to reflect foundational learning and future readiness. The identity combines a modular grid inspired by graph paper, the Sirca and Söhne typefaces, and a confident wordmark punctuated by a full stop. Real students were photographed by Luis Mora, and the launch film centers on a student reciting the brand manifesto, reinforcing Primer’s belief in authentic, child-centered education.
DIOME has refined its supplement packaging system under the direction of Victoire Colliou, introducing a richer brown palette and a more structured, minimalist design. The update unifies the brand’s two products, Rested and Grounded, through consistent typography and restrained visual language. The redesign reflects DIOME’s science-led yet lifestyle-conscious positioning, evolving from its earlier collaboration with ACNE Art Department.
Creative studio Koto has rebranded Mews, a Netherlands-based hospitality software platform, with a bold and distinctive identity that challenges the visual conventions of enterprise tech. The new system centers on hot pink, strong typography, and a confident tone of voice to make the brand more visible and human. The project demonstrates how B2B design can be both credible and expressive.
BP&O’s Emily Gosling reviews Universal Favourite’s branding for Butter Baby, a Jakarta-based dessert store built around a whimsical butter-alien mascot. The studio developed a full verbal and visual identity, including character design, packaging, motion, and interiors, using a bright yellow palette and playful typography. The article praises the project’s originality and conviction in creating a character-driven brand world.

Söhne is credited in brand identities for Herman Miller, Isomorphic Labs and MIND, and in the type selection for Porto Design Biennale. Its role is not identical across those projects: a primary brand voice differs from one family in a broader programme.
Pentagram describes Rivian’s brand typeface as adapted from Söhne with Klim’s involvement. Keep that distinction visible when using the case as a reference: the finished Rivian drawing is not simply the retail family applied unchanged.
Compare how the projects use numerals, text hierarchy and accompanying imagery. The source links establish the family credits; any assessment of tone is an editorial reading, not proof of audience response.
Source credits checked on 10 October 2026. The notes summarize the studio or foundry’s own project page; customized derivatives are identified separately.
Andrew Howard · Programme typography
Söhne appears in the credited type selection alongside Baste A and Coranto.
Recorded co-use only: each pair is named together on one studio’s page for one project. Treat it as evidence that the combination has been shipped, not as a recommendation.
Test the actual text, languages, numerals and smallest reading size your design needs. Compare the role of the typeface in these projects, then check the foundry’s current licence and character coverage. A project credit does not establish licensing terms, commercial results or the availability of a custom drawing in the retail family.