Design work for The New York Times, collected from the studios behind it.
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Sign inDesigners and creative leads credited on The New York Times projects in press coverage.

Jessica Hische's new children's picture book, Tomorrow I'll Be Happy, uses warm, deliberately wobbly hand-lettering and colourful illustrations to help children acknowledge difficult emotions. The Penguin Workshop title completes a trilogy of books designed to communicate emotional concepts through minimal language and typography that actively supports the message.
Creative Boom's September Booms & Shakes roundup reports positive growth in the UK design sector, citing a Design Council estimate of £136.7bn in value and growing activity beyond London. It highlights senior hires and promotions at agencies including Instrument, Pearlfisher, FutureBrand, Super Nice, Art&Graft, LERMA/ and SuperHeroes, with AI investment, strategy leadership and human creative expertise emerging as major themes.
Illustrator Lia Sued C. discusses her shift from an almost entirely digital illustration practice toward tactile work made with markers, coloured pencils, pens, glitter and stickers. The feature examines her highly colourful, densely detailed visual worlds, her editorial commissions for Crack Magazine and The New York Times, and the artistic influences informing her work.
Melbourne-based motion designer Rob Farmer explains how he develops quick, unfinished sketches into personal experiments and editorial commissions. His procedural approach in Cavalry draws on patterns in nature and has led to work for The New York Times, The Economist and the Design Museum, while he advocates sharing work before perfectionism prevents it from being seen.
Melbourne-based motion designer Rob Farmer describes how he turns quick, unfinished sketches into a working queue of personal and commissioned ideas. The profile traces his path from Geelong and agency work in Brooklyn to editorial commissions for The New York Times, The Economist and the Design Museum, with Cavalry's procedural tools central to his practice.
Illustrator and multimedia artist Philip Lindeman has released Caps, a zine collecting his handmade papier-mâché clay cap sculptures following a mini-exhibition. Drawing on skateboarding, graffiti, 90s cartoons, sports insignias and American advertising, the works turn caps into dense, imperfect physical artefacts that Lindeman describes as “fossils” of his youth.
It’s Nice That announces its third Nicer Tuesdays New York event of 2026, taking place on 15 September at the SVA Theatre in Chelsea. The programme features Mona Chalabi, Arsh Raziuddin, Tala Schlossberg and Special Offer founder Brent David Freany, covering data illustration, World Cup identity design, experimental animation and culture-led art direction.
This Weekend With profile follows New York-based designer and Somersault Records founder Jean-Pierre Consuegra as he shares his ideal weekend activities, including design talks, books, films, music and food spots. It also marks a new stage in his practice with independent studio Indie Darling Studios, following design collaborations with music artists, publications and festivals.