Designer · Art Director
Always DM people, man!
Some of that stuff is so beautiful and so mechanical and anti-design, it, like, scratches the itch in my brain in a great way.
I was too poor to afford a designer so I decided to make our designs myself and download Photoshop.
I absolutely love Tibor Kalman, even though he would’ve probably hated everything I’ve ever made.
The article profiles designers Jean Pierre Consuegra and Leo Horton, who collaborated on the visual identity for Pigeons & Planes’ annual mixtape 'See You Next Year 3'. Embracing a DIY, textural aesthetic, the pair used scanners, stamps, and handwritten elements to create a raw yet graphic look. The feature explores their creative partnership, long project timelines, and the role of social media in connecting collaborators.
It’s Nice That and DROOL have launched their second collaborative print collection, following the success of their 2025 edition. The open call attracted over 1,000 submissions, resulting in eight selected artists whose works are now available as fine art prints on DROOL’s online store. The project highlights emerging global talent and celebrates creativity across illustration and graphic design.
It’s Nice That’s annual ‘Review of the Year 2025’ highlights the 50 most-read stories across its platform, spanning design, art, technology, and culture. The roundup celebrates creative diversity, from AI debates and ethical design discussions to pop culture-inspired projects and standout visual work by studios and artists worldwide.
The article profiles New York-based designer Jean Pierre Consuegra, whose poster work draws inspiration from the mechanical and anti-design aesthetics of surveillance interfaces. His experimental approach blends found imagery, neon color palettes, and Y2K influences to create visually striking event posters for music and nightlife scenes. The piece also traces his journey from founding a record label to developing a distinctive visual language rooted in curiosity and playfulness.