Design work for Bloomberg Businessweek, collected from the studios behind it.
Designers and creative leads credited on Bloomberg Businessweek projects in press coverage.
Creative Boom presents results from its 2026 State of Creativity survey, identifying the typefaces designers most often use and admire. Helvetica, Poppins and Futura lead the list, while newer or more distinctive choices such as Inclusive Sans, Druk and Aeonik point to interest in accessibility, screen legibility and greater typographic personality.
The article profiles New York-based illustrator Ard Su, whose editorial work blends the cold precision of technology and medicine with human warmth and emotion. Known for commissions from major media outlets and brands like Apple and Adidas, Ard’s digital illustrations reinterpret the flat Alegria style through geometric experimentation and mature color palettes. The piece explores her conceptual approach, influences from literature and film, and her fascination with emotional distance in modern life.
The article profiles American illustrator Mark Harris, whose photo-collage editorial work blends handmade textures and physical materials to challenge the rigidity of traditional graphic design. Drawing inspiration from Bauhaus, Dadaism, and Constructivism, Harris’ practice emphasizes imperfection and human touch, contrasting his earlier agency experience. His work has appeared in major publications such as The New York Times, The Guardian, and Bloomberg Businessweek.
Bristol-based illustrator Con McHugh collaborated with jazz clarinettist Adrian Cox to create looping, hand-drawn animations for a live jazz performance. The project embraced spontaneity and improvisation, mirroring the spirit of jazz through surreal, expressive visuals. It marked a creative turning point for McHugh, reconnecting him with his looser, more instinctive drawing style.
Creative Boom’s 2025 font roundup highlights 50 typefaces expected to shape the year’s visual landscape. The article, written by Katy Cowan, gathers community input to showcase a mix of reimagined classics and innovative new designs, reflecting trends like elegant serifs, expressive sans serifs, and versatile variable fonts. It features work from notable designers and foundries including Fred Smeijers, Margot Lévêque, Pangram Pangram, and Oh No Type Co.