One Design Cases
Designers behind the work
Designers and creative leads credited on One projects in press coverage.
Designers and creative leads credited on One projects in press coverage.
The article spotlights Milk’s award-winning rebrand for Honeysticks, a New Zealand-based non-toxic crayon company. The new packaging emphasizes joy, safety, and sustainability, aligning with Honeysticks’ mission to provide toxin-free art supplies for children. The project earned recognition at the 2026 Dieline Awards for its playful and eco-conscious design.
Montreal-based studio Wedge rebranded New England English muffin company Stone&Skillet, centering the new identity around the skillet that inspired the brand’s name. The redesign introduces a bold color palette, a simplified skillet logo, and expressive photography by Paul Hempstead to strengthen shelf presence and unify the brand system. The result balances warmth, craft, and modernity while standing out in the bakery category.
Creative Boom’s 2026 feature by Katy Cowan highlights 16 standout business card designs from leading studios around the world. The article showcases tactile, material-rich examples from Pentagram, Bond, Hey Studio, and others, celebrating the resurgence of physical networking tools. Each project demonstrates how thoughtful design and print craft can elevate a simple card into a storytelling piece.
UnderConsideration’s Brand New briefly notes a new logo and identity for One Day, created by R/GA in collaboration with Never Sit Still. The project is categorized under the culture industry and tagged with Australia, blur, dots, and music, suggesting a visually dynamic and music-related identity. The article is part of the 'Noted' section, offering a short mention rather than a full review.
Design studio Wedge refreshed the Stone & Skillet brand to support its retail expansion. The new identity emphasizes the cast-iron skillet for distinctiveness and balances sophistication with approachability. The redesign aims to strengthen shelf presence and prepare the brand for future growth.
The article, written by Satoru Wakeshima of CBX, discusses how packaging form influences brand preference, using Old Bay’s return to its original metal tin as an example. It highlights the emotional and tactile connection consumers have with packaging that feels permanent and authentic. The piece also touches on the broader implications of design choices that balance sustainability and brand equity.
The 574th edition of Brand New’s 'Friday Likes' highlights three design projects from Lukas Diemling, OnePlus, and Auge Design. The post briefly introduces creative work across consumer products and restaurant branding from Austria and Italy. Authored by Armin, it continues the series’ tradition of spotlighting visually engaging and well-executed brand identities.
Lonely Planet has launched a new print zine titled Artifact, marking a return to its DIY publishing roots. Designed by a small internal team led by Matthew Johnston and Nitya Chambers, the pocket-sized publication blends photography, illustration, and essays exploring why we travel. The project celebrates tactile, heritage-inspired design while reasserting Lonely Planet’s creative identity in the print space.
