Cann Design Cases
Designers behind the work
Designers and creative leads credited on Cann projects in press coverage.
Designers and creative leads credited on Cann projects in press coverage.
Creative Boom interviews Brian Collins about COLLINS House, a welcoming and inclusive space at Cannes Lions designed to foster connection among creatives of all levels. The article explores his philosophy on design as a force for possibility and his desire to create a non-hierarchical environment for emerging talent. It highlights COLLINS House as a counterpoint to the corporate atmosphere of Cannes, celebrating openness and community.
Creative Boom reports on The Neu Project’s 'Calm on the Croisette', a neuro-inclusive pop-up space at Cannes Lions 2025. Designed by autistic creatives Megan Henshall and Rachel Lowenstein, the activation offered a sensory-friendly environment for neurodivergent attendees. The initiative highlighted the growing importance of neurodiversity and inclusion in the creative industry.
The article profiles Brooklyn-based studio and publisher Small Editions, led by Hannah Yukiko Pierce and Isobel Chiang, which merges traditional bookbinding with experimental materials and formats. It highlights their artist editions, instructional publications, and collaborative approach to bookmaking. The piece emphasizes their tactile, process-driven philosophy and their influence within the small press community.
Montreal-based studio Wedge marked 420 by showcasing three distinct cannabis brand identities they’ve created: Carmel Cannabis, B!NGO, and P’TITE POF. Each identity reflects a unique personality—from handcrafted authenticity to vibrant affordability and Quebecois cultural flair. The projects highlight Wedge’s versatility in navigating strict cannabis branding regulations while maintaining creativity and local relevance.
The Brand Identity’s 'The Edit' roundup showcases five new design projects from studios including Mean, The Refreshment Club, Fook, Bruno Arizio’s team, and M M NT. Featured work spans branding and packaging for honey, canned cocktails, cannabis, and media companies, highlighting creative uses of typography, illustration, and material craft. The article celebrates bold, minimal, and conceptually rich design approaches across global studios.
Motionographer’s feature highlights Niceshit’s tenth-anniversary rebrand, centered on a bespoke typeface created from the handwriting of its three founders. The identity, developed with UFFICIO™, reflects the studio’s collaborative ethos and humor-driven design philosophy. The rebrand spans logo, typography, color system, and website, marking a confident evolution of the studio’s creative voice.
