ATIO Design Cases
Designers behind the work
Designers and creative leads credited on ATIO projects in press coverage.
Designers and creative leads credited on ATIO projects in press coverage.
UnderConsideration’s Brand New briefly spotlights a new logo created by SAND for the Association of Applied Paleontological Sciences. The post, categorized under 'Spotted', notes the use of a sans serif typeface and grunge aesthetic, aligning with the advocacy industry context. The article serves as a short announcement rather than a full review.
The article by Lucy Werner explores the major themes emerging from Cannes Lions 2026, highlighting the growing influence of creators, the shift toward tangible and screen-free experiences, and a more mature conversation around AI. It emphasizes how culture, human connection, and creative judgment are becoming the true differentiators in an increasingly tech-saturated industry.
Creative Boom profiles Southern California designer Tyler Spangler, whose punk roots and psychology background inform his vibrant, candy-coloured digital collages. The article explores his journey from booking punk shows to working with major brands like Gucci and the UN, while maintaining his DIY ethos and focus on personal expression. Spangler’s process emphasizes spontaneity, self-therapy through art, and staying true to his unique visual voice.
Holographik collaborated with the Sui Foundation to evolve the Sui brand, refining its identity to move away from the typical 'DeFi casino' aesthetic. The refreshed system retains the droplet logo, introduces a refined blue palette, and employs TWK Everett as the sole typeface. The result is a cohesive, trustworthy visual language that supports Sui’s growth as a blockchain infrastructure brand.
UnderConsideration’s Brand New briefly notes Fold7Design’s creation of the new logo and identity for the UK’s National Year of Reading 2026. The project falls under the advocacy sector and highlights the studio’s role in shaping the campaign’s visual identity.
The article profiles Manchester-born artist and facilitator Lucy Grainge, whose community-driven practice spans installations, murals, and workshops that bring art into public spaces such as train stations, hospitals, and galleries. Through her initiative Wiggle Wonderland CIC, she collaborates with local communities to create vibrant, inclusive artworks. The piece explores her journey from art school to public commissions, emphasizing accessibility, play, and neurodiversity in her creative process.
BP&O’s Emily Gosling reviews OlssønBarbieri’s brand identity for Theaterbaren, a new bar within Oslo’s Nationaltheatret. The identity blends theatrical melodrama with contemporary playfulness through custom typography, expressive illustration by Manon Cezaro, and a palette inspired by the theatre’s interiors. The result celebrates formality and spectacle while remaining accessible and vibrant.
Creative Boom profiles Gina Guasch Studio (GGS), a queer-led design studio based in Barcelona known for its colourful, activist, and identity-driven work. Founded by Gina Guasch in 2019, the studio creates branding, flyers, and visual systems for clients across culture, music, and activism. The article highlights GGS’s bold aesthetic, inclusive ethos, and commitment to design that goes beyond trends.
