Designers and creative leads credited on Die Zeit projects in press coverage.
The article profiles Dutch illustrator Hanneke Rozemuller, whose editorial work explores themes of psychology, philosophy, and the surreal. Drawing inspiration from Push Pin Studios and artists like Milton Glaser and Seymour Chwast, her dreamlike, textural illustrations use blue tones to evoke introspection and emotional depth.
The article profiles illustrator Ramon Keimig and his evolution toward a more organic, nature-inspired visual language. Now based near Germany’s Black Forest, Keimig blends analogue and digital methods—such as printmaking, Risograph, and Photoshop—to create intricate works influenced by biological and cosmic forms. The piece explores how his environment and fine art studies have shaped his new approach to illustration.
Liz Gorny’s opinion piece for It’s Nice That explores the precarious state of editorial illustration in 2024. Through interviews with illustrators Nishant Choksi and Sergio Membrillas, the article highlights shrinking budgets, the impact of AI, and the decline of magazine commissions. Despite these challenges, both artists express cautious optimism about the evolving landscape and new opportunities for creative expression.