ED. is a digital-first brand and web studio based in Australia, collaborating across Australian and U.S. time zones. The studio specializes in crafting distinctive brand identities, intuitive digital experiences, and high-performing websites for forward-thinking clients. Led by a team of multidisciplinary designers and strategists, ED. combines strategic insight with refined aesthetics to deliver impactful, user-centered design solutions. Known for its contemporary approach and global perspective, ED. partners with startups and established brands alike to build cohesive digital presences that drive growth and engagement.
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UnderConsideration’s Brand New reviewed the new logo and identity for UK radio brand KISS, designed by NOT Wieden+Kennedy. The rebrand embraces a bold, bright, and neon aesthetic, reflecting the station’s energetic and youthful personality. The article highlights the witty and vibrant direction of the new identity.
This article from It’s Nice That’s 'Creative Career Conundrums' column, written by Kat Wong of Oh Yeah, offers advice to mid-level designers seeking to transition from design execution to creative direction. Wong encourages proactive communication with managers, strategic exposure, and consistent effort to build trust and leadership experience.
The article announces the open call for DEMO Festival 2027, a global motion design event founded by Studio Dumbar/DEPT® and Global. The festival transforms public advertising screens into a 24-hour showcase of experimental motion design across cities worldwide. It highlights the event’s collaborative spirit, open submission process, and its mission to celebrate creativity in public spaces.
Creative Boom profiles Seoul- and London-based designer Sohee Chae, founder of Layer/Ply, whose tactile and experimental approach blends methodical structure with intuitive process. The article explores her projects including 'Letting Go in the Cycle', 'The Shape of Change', and the brand identity for fashion label Second Skin, highlighting her use of shibori-dyed typography and handcrafted techniques. It also discusses her dual practice between Project Room and her independent studio, reflecting on how Seoul and London shape her design philosophy.
The Dieline article spotlights The Collected Works’ packaging design for Sooki Sesame Oil, which transforms a pantry staple into a display-worthy product. Featuring a chunky retro wordmark, illustrated mascot, and clear glass bottle with a wooden stopper, the design balances warmth, cultural roots, and modern appeal.
The article profiles 'Hellcare Regular', a conceptual typeface created by Parker Jones and Rajshree Saraf, art directors at Wieden+Kennedy New York. The font parodies doctors’ notoriously illegible handwriting as a commentary on the inaccessibility and confusion of the American healthcare system. Through experimental typography, the designers transform personal frustration into a political and emotional design statement.
Creative Boom reports on the return of Birmingham Design Festival 2026, themed 'Change'. Co-founders Luke Tonge and Dan Alcorn discuss the festival’s evolution, its inclusive approach with thousands of free tickets, and its diverse lineup of over 60 speakers across graphic, digital, and analogue strands. The event highlights Birmingham’s creative community and its commitment to accessibility and collaboration.
Creative Boom’s feature by Tom May explores Remi Kabaka Jr. of Gorillaz speaking at Ibiza Art Weekend, an ambitious art-meets-nightlife event organised by W1 Curates and The Night League. In conversation with Tafari Hinds and Mark Dale, Remi reflects on his roots in London’s underground art scene, the visual philosophy behind Gorillaz, and his belief that fearless imagination defines the future of creativity.
Written by Tom May for Creative Boom’s 'Dear Boom' advice series, this article explores how creatives can maintain confidence amid AI disruption, economic uncertainty, and slower client activity. Featuring insights from designers, illustrators, and creative directors, it argues that human taste, craft, and authenticity remain irreplaceable strengths in the evolving creative landscape.
The Dieline article covers 'Rink Drink,' a coffee collaboration between celebrity chef Matty Matheson and Dean Perry of Anchored Coffee. The project celebrates Canadian hockey culture and nostalgia, inspired by Matheson’s childhood memories of watching junior hockey with his grandfather. The piece highlights the cultural connection between coffee and hockey without delving into design details.
UnderConsideration’s Brand New reviewed Ragged Edge’s new logo, identity, and packaging for Free Soul, a London-based nutrition brand. The rebrand introduces a flared sans serif wordmark and grid-driven packaging system aimed at the wellness and women’s nutrition market.
BP&O’s Emily Gosling reviews A Friend of Mine’s brand identity for Melbourne eyewear retailer and optometrist Six Six. The project positions the store as an experiential, temple-like destination through a refined yet playful identity featuring a temple-inspired logo, bold yellow and black palette, and editorial-style films. Collaborating with interior architects Kennedy Nolan, the studio created a cohesive brand experience that merges fashion sensibility with clinical trust.
Creative Boom’s 2026 roundup highlights 15 design studios that the creative community most admires, based on its annual State of Creativity survey. The article features a mix of established and emerging studios such as OK-RM, Zak Group, Porto Rocha, Hey Studio, and Accept & Proceed, showcasing their distinctive approaches and recent projects across branding, culture, and design innovation.
UnderConsideration’s Brand New briefly notes a new logo and identity for the Premier Jumping League, designed by NOT Wieden+Kennedy. The project introduces a proprietary type and italic wordmark for the sports organization. The article is a short 'Noted' entry without extended commentary or visuals.
The article announces the winners of the 2025 DIELINE Awards, one of the world’s largest packaging design competitions. Rollr by Mother Design won Best of Show for its sustainable refillable deodorant packaging, while Wedge and Nice People shared Studio of the Year honors. The piece highlights trends like sustainability, inclusivity, and innovative material use across global packaging design.
Creative Boom profiles German illustrator Pia Salzer, whose vibrant, expressive work celebrates the beauty of everyday life. After studying in Nuremberg and working in Berlin, she went freelance in 2025, gaining recognition for her personal and commissioned projects. Her digital illustrations, rooted in traditional media, explore themes of feminism, emotion, and connection.
The article by Tom May explores why freelancers in the creative industry struggle to take time off and how they can overcome guilt and burnout. Through insights from designers, studio founders, and creative directors, it highlights the importance of rest as a vital part of sustainable creative work. The piece offers practical advice on building structures and mindsets that make rest possible and productive.