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Monotype typefaces credited by studios in their case writeups.
Los Angeles artist Hunter Harvey's Collected Text Paintings uses flashe paint, airbrush work and masking to turn fragments of everyday language into typographic paintings. Drawing on signage, overheard speech, billboards, bumper stickers, meme fonts and old Microsoft PowerPoint graphics, the works parody graphic communication while exploring how typefaces shape meaning.
Berlin-based creative studio SHIO created an evolving identity system for FMYAYA, a contemporary object company launching collectible bonsai-inspired pieces. The system spans packaging, editorial, e-commerce, OOH and motion, using Helvetica Neue and Studio Feixen’s Ease to balance functional clarity with expressive typography. Three first-collection editions—Ambient, Jazz Trio and City Pop—use distinct colours, imagery, compositions and fictional album worlds while retaining a coherent brand structure.
BP&O examines Made in Europe, a certification concept created by Copenhagen think tank 21st Europe with Dada Projects. Unveiled at Web Summit in Lisbon, the initiative combines a twelve-star certification mark and Digital Product Passport to make European manufacturing standards, traceability and environmental protections visible to consumers.
Karlssonwilker developed the visual identity for Calder Gardens, a Philadelphia cultural destination dedicated to Alexander Calder and set within gardens by Piet Oudolf. Over nearly two years, the studio and client explored more than 60 design directions before arriving at a black-and-white Söhne wordmark whose filled negative space creates a shifting, dimensional push-and-pull illusion. The extensive process is documented in Karlssonwilker's 2025 self-published book, Finding an Identity for Calder Gardens.