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Monotype typefaces credited by studios in their case writeups.
Web designer Victor Hwang updated Mater, artist Maddie Rose Hills’ research and publishing platform, rather than replacing it with a new website. The overhaul turns a five-year archive into the site’s structural core, using a blue pastel palette, Rolodex-inspired animation and early-web loading references. The project reduces its carbon footprint through less JavaScript, an efficient new structure and in-house content hosting.
Jaume Serradelarca and Jordi Masdeu Studio created Somnis, an identity and wine-label collection for El Trampolí, a foundation supporting people with intellectual disabilities and their families. The three wines feature individual dreams shared by young people supported by the foundation, interpreted as expressive black line illustrations by Irati Peluaga. Restrained Quatre script and Baskerville typography, alongside unadorned black-and-white packaging, keeps focus on the stories behind each bottle.
Los Angeles artist Hunter Harvey's Collected Text Paintings uses flashe paint, airbrush work and masking to turn fragments of everyday language into typographic paintings. Drawing on signage, overheard speech, billboards, bumper stickers, meme fonts and old Microsoft PowerPoint graphics, the works parody graphic communication while exploring how typefaces shape meaning.
Berlin-based creative studio SHIO created an evolving identity system for FMYAYA, a contemporary object company launching collectible bonsai-inspired pieces. The system spans packaging, editorial, e-commerce, OOH and motion, using Helvetica Neue and Studio Feixen’s Ease to balance functional clarity with expressive typography. Three first-collection editions—Ambient, Jazz Trio and City Pop—use distinct colours, imagery, compositions and fictional album worlds while retaining a coherent brand structure.