Brand Design Cases
Designers behind the work
Designers and creative leads credited on Brand projects in press coverage.
Designers and creative leads credited on Brand projects in press coverage.
The Brand Identity interviews Marcus Wendt, founder of FIELD.IO, about the studio’s hybrid approach that merges design, technology, and AI into adaptive brand systems. Wendt discusses FIELD.IO’s evolution since 2009, its work for global clients like Nike and IBM, and its philosophy of learning through prototyping and iteration. The conversation explores how creative intelligence and responsive environments are reshaping brand communication.
Creative Boom's March 'Booms & Shakes' roundup by Tom May highlights major movements across the design and advertising industry, including Ian Millner stepping down from Iris after 26 years, new creative leadership appointments at Bray Leino, Particle6, and BBC Creative, and the launch of Capel Group and Allwyn’s Studio 59. The article captures a month of expansion, new ventures, and evolving creative priorities across global studios.
The Brand Identity interviews Stacey Saunders, General Manager at Houston Group, about the creation of her podcast and brand platform Badass Bitches In Brand. Developed with Houston’s design team, the identity rejects stereotypical pink palettes in favor of bold red and confident visual language. The project celebrates women in branding through honest conversation, collaboration, and mentorship.
The Brand Identity interviews Margot Lévêque about launching her new type foundry, Claude Type, which she describes as a couture atelier for typography. She discusses her journey from burnout to renewal, her philosophy of slowness and craft, and her collaborations with studios International Magic and 27Bureau to create the foundry’s website. The conversation explores her desire to elevate type design to the same cultural status as fashion and art.
The Brand Identity interviews Hong Kong-based designer Mak Kai Hang about his journey from book design to leading branding projects for major Asian clients. He discusses his studio’s philosophy of combining experimentation with timeless craftsmanship, his experience at Commission Studio in London, and the milestone of redesigning HEYTEA’s logo. The conversation explores his approach to type design, fashion branding, and maintaining a small, focused studio team.
Pantone has named 'Cloud Dancer' (PANTONE 11-4201), a soft white hue, as its Colour of the Year 2026. The shade is described as a calming, reflective tone that invites clarity and creative renewal. The announcement includes collaborations with illustrator Emiliano Ponzi and brands like Motorola, Play-Doh, and Spotify, marking a year-long celebration of simplicity and creative space.
The Brand Identity interviews Box Eight founder Jeremy Staub about the studio’s self-initiated rebrand, exploring the challenges of designing for themselves and the concept ‘At The Wine Bar’ that guided the new identity. Staub discusses the importance of partnership-driven client relationships, the studio’s hospitality roots, and its expansion into boutique hotels and CPG work. The rebrand reflects Box Eight’s evolution while maintaining its human-centred, experience-driven approach.
Creative Boom’s article by Tom May explores how PJ Accetturo and his studio Genre.ai are using AI to radically reduce production costs and timelines in advertising. Through examples like the $2,000 AI-generated NBA Finals ad, Accetturo argues that AI is democratizing creative production and reshaping the ad industry’s hierarchy. The piece highlights a shift toward smaller teams, faster workflows, and greater creative autonomy.
