In their own words
Seeing how designers use our typefaces in the wild is always inspiring.
Aeonik was born out of frustration at never quite finding the right sans serif.
It is my aim to produce fonts that, as a designer, I would want to use in my own work.
It’s so important to consider how the font will work across multiple weights.
Dark blue is a colour traditionally associated with the finance sector so rather than ignore this, we instead decided to embrace the colour and give it a contemporary twist.
A muted colour palette of pastels and greys allows us to print each issue in black and metallic bronze ink.
We always try to apply the ‘Less is More’ philosophy to our design work, particularly with identity design.
Articles & interviews
- The best new fonts for March 2026
Creative Boom’s March 2026 roundup by Tom May highlights five notable new typefaces that balance historical influence with contemporary craft. Featured releases include Mark Caneso’s experimental ‘Please’, Neville Brody’s agitprop-inspired ‘BF Popaganda’, CoType’s softened ‘Aeonik Soft’, ALT.tf’s feminist revival ‘ALT Erogenous’, and Rubén Fontana’s sculptural ‘Archibrazo’. The article celebrates thoughtful, durable design amid global uncertainty.
- "Top 50 Fonts Designers Will Love in 2026"
Creative Boom’s article by Tom May surveys the design community to identify 50 typefaces expected to trend in 2026. The roundup highlights a mix of contemporary and classic fonts from leading foundries such as Grilli Type, Klim, ABC Dinamo, and Pangram Pangram. It reflects a broader trend toward revisiting familiar grotesques and serifs with modern refinements for digital and branding applications.