
Designer · Graphic Designer · Artist · Graphic Artist
As soon as I saw the letters, I knew we had to use them to make a print.
We need to be reminded of the positive power of hope as the world goes through difficult times, and this print aims to capture that enduring spirit.
work hard and be nice to people
I think it’s all about trust.
When you’re too prescriptive with a brief, then the creative feels constrained and there’s not enough room for exploration or expression.
A testament to a printed, physical thing.
I love the approach of Two Girls Co, with their positive messages and bold, colourful designs.
Connection and ideas, those are the foundations of my work. They're reflected in this collaboration with Two Girls Co, and I think that's why it feels so natural.
I experimented with over-printing and embraced the chance aspect of the process. I didn’t know how the finished sleeve would look until I’d finished printing and experimenting. I printed on the reverse of the sleeve and pushed the overlaid type even further to create an abstracted version of the front cover design. It’s important to me that the process is part of the outcome and the physicality of the medium re-enforces the message of the work.
The horror genre has given us a memorable visual language.
Written by Danielle Pender for It’s Nice That’s 'In Depth: The Everyday Edition', this feature explores how creative rituals can help artists and designers break free from the repetitive cycles of visual culture. It argues that in an era of AI tools, social media homogenization, and creative burnout, personal routines can restore originality and intention in creative work.
The article recaps the top 15 Nicer Tuesdays talks of 2025, highlighting creative duos, multidisciplinary artists, and emotionally resonant presentations. It celebrates a year of events held in London, New York, and newly in Los Angeles, featuring designers, illustrators, and artists sharing insights into their practice and process.
Anthony Burrill collaborated with Dublin’s National Print Museum to create 'HOPE', a limited-edition letterpress print launched during Irish Design Week 2025. The project celebrates optimism and the enduring craft of printmaking, using historic wooden type and the museum’s Wharfedale Stop Cylinder Press. The collaboration underscores the museum’s mission to keep print culture alive through creative partnerships.
Creative Boom’s interview with the founders of Wilson’s Republic explores how three Yorkshire designers built a thriving grassroots creative community over ten years. The piece highlights their philosophy of inclusivity, authenticity, and adaptability, culminating in their tenth-anniversary event, WRXL. The founders reflect on lessons learned, the importance of optimism, and the enduring power of creative connection.
The article covers a Nicer Tuesdays talk in London where typographic artist Anthony Burrill discussed how music, protest, and kindness influence his design philosophy. Interviewed by Olivia Hingley, Burrill reflected on his optimistic outlook and the origins of his well-known motto 'work hard and be nice to people.'
The article covers 'The Right to Protest', an exhibition at the Museum of UnRest in London showcasing decades of activist poster design. Co-curated by Dave Bell, Clive Russell, and John Phillips, the show explores the visual language of protest from the 1960s to today, featuring works from feminist, environmental, and political movements. The exhibition highlights the enduring power of design as a tool for social change.
Creative Boom’s article by Tom May explores Paradiso Festival, a new five-day creative retreat founded by Héctor Ayuso in Mérida, Mexico. The event reimagines the traditional design conference format by removing stages and hierarchies, fostering authentic conversations among creatives like Paula Scher, Oliver Jeffers, and Jessica Hische. With cultural immersion, local experiences, and a focus on community, Paradiso aims to redefine what a creative gathering can be.
The article profiles London-based graphic designer and animator Stanley Plowman, whose work merges sound and image through experimental, generative animation. Drawing inspiration from electronic music and analogue imperfections, Plowman’s projects like 'Typewriter Horse' and 'Bubble Sort' explore the interplay between randomness, rhythm, and visual texture. His process blends digital tools with tactile methods to create emotionally resonant motion pieces.
It’s Nice That announces the September 2025 edition of its Nicer Tuesdays event in London, featuring talks by Anthony Burrill, An Chen, and Robin Howie of Fieldwork Facility. The evening will explore topics from timeless typography to place-based design and creative balance, with music and refreshments provided by sponsors. The event will take place at EartH Hackney on 2 September 2025.
The article explores the concept of open briefs and how they can inspire creativity and self-expression among emerging designers. Featuring insights from Anthony Burrill, Ramin Nazer, and Jutharat ‘Poupay’ Pinyodoonyachet, it highlights how flexibility, trust, and self-belief are key to making the most of open-ended creative opportunities. The piece is part of It’s Nice That’s Ones to Watch 2025 series, celebrating new creative talent.
The article celebrates the 21st anniversary of Anthony Burrill’s iconic letterpress poster 'Work Hard and Be Nice to People' and explores his long-standing collaboration with Adams of Rye. It coincides with a new exhibition, 'Archive and Rarities 2004–2019', at They Made This in London, showcasing 25 of Burrill’s typographic prints. The piece reflects on Burrill’s creative journey, his love for analogue printmaking, and the enduring cultural impact of his positive manifesto.
Graphic artist Anthony Burrill has collaborated with Bristol-based indie brand Two Girls Co. on a joyful new giftware collection. The partnership produced two limited-edition items—a twin enamel pin set and a sticker—celebrating creativity, connection, and positivity. The collaboration merges Burrill’s typographic optimism with Two Girls Co.’s playful, inclusive design ethos.
Creative Boom features 'Art Around Every Corner', a new documentary by James and Vicky Wall that explores the artists and murals shaping Leeds’ creative identity. The film highlights both established and emerging muralists, offering an intimate look at their processes and the cultural value of public art. Produced by the Walls’ studio Creative Stories, the project celebrates community creativity and aims to inspire broader appreciation for the city’s artistic scene.
The 2025 edition of Secret 7” returns under War Child, featuring record sleeve artworks by renowned artists and designers including Antony Gormley, Yinka Ilori, Paul Smith, and Anthony Burrill. The charity project invites creatives to design anonymous sleeves for seven tracks, which will be exhibited at Now Gallery in London before being auctioned to raise funds for children affected by conflict. Burrill discusses his experimental printmaking approach for his contribution.
Creative Boom profiles The Designers Foundry, a New Zealand-based type foundry founded by Daniel McQueen in 2012. The article traces its evolution from a Tumblr-linked side project to a global type provider working with brands like Apple, Nike, and Disney. It highlights recent variable font releases, collaborations, and reflections on the changing typography market.
Adobe MAX 2024 took place in Miami Beach, showcasing Adobe’s latest creative technology updates, including new text-to-video capabilities in Firefly and generative tools across Creative Cloud. The event emphasized ethical AI practices and featured talks from notable creatives like Awkwafina and Anthony Burrill. It concluded with an awards ceremony celebrating innovation across creative disciplines.
The Brand Identity’s Halloween edition of 'The High Five' features designer Anthony Burrill selecting five iconic horror movie posters that continue to inspire and unsettle him. Burrill reflects on the visual language of horror and how typography and imagery evoke fear and fascination. His picks include JAWS, Alien, The Wicker Man, A Clockwork Orange, and The Shining, each analyzed for its design impact and emotional resonance.
Written by Danielle Pender for It’s Nice That, this opinion piece explores how creative rituals can help designers and artists escape the echo chamber of repetitive visual culture. It argues that slowing down, developing personal routines, and reconnecting with one’s own instincts are essential to restoring originality and depth in creative work. The article contrasts the homogenization of global aesthetics and the rise of AI-generated imagery with the grounding power of daily creative practices.
The Brand Identity interviews graphic artist Anthony Burrill about his new online archive, a digital collection of 500 pieces of visual ephemera. Designed by Richard Nicholls and developed by Cliff Studio, the site showcases Burrill’s fascination with raw, everyday design artifacts through a bold black, white, and yellow aesthetic. Burrill discusses the reflective process behind the project, its accessibility, and his plans to expand it further.
Fedrigoni UK launched its new Fedrigoni Plus paper collection in collaboration with London studio TM. To mark the launch, eight leading UK creatives produced limited edition prints exploring the themes of addition, expansion, and augmentation. Each design uses a unique slit fold format and is presented in a special A4 shoulder box.
The Brand Identity interviews Daniel McQueen, founder of The Designers Foundry, about the evolution from Ten Dollar Fonts, the foundry’s global identity, and its approach to accessible type design. McQueen discusses the studio’s branding concept, pricing philosophy, and a recent collaboration with Anthony Burrill on a poster for the Averta typeface. The conversation highlights TDF’s focus on community, emotional connection, and innovation in type distribution.
The Brand Identity interviews Algy Batten, co-founder of London-based design studio Fivefootsix, about the importance of collaboration and partnership in design. Batten discusses the studio’s culture, approach to trends, and its charitable project The Art of Ping Pong, which supports BBC Children in Need through exhibitions and artist collaborations. The conversation highlights Fivefootsix’s emphasis on teamwork, creativity, and community engagement.