HelloMe® collaborated with Vitra to create a visual campaign for the reissue of Jean Prouvé’s iconic Fauteuil Kangourou lounge chair. The project highlights the chair’s sculptural form and modernist heritage through refined imagery and a contemporary graphic approach.
A Practice for Everyday Life designed Vitra: The Anatomy of a Design Company, a Phaidon book by Deyan Sudjic about Vitra’s three generations and influence on contemporary design. The compact handbook format uses product imagery, embossed details, chapter silhouettes, and layered image sequences to reflect the company’s range of work.
Semiotik developed a spatial communication and visual identity system for Vitra’s Charles and Ray Eames Roadshow at El Greco Gallery in Athens. The campaign extended across exhibition signage, digital posts, a grid-based commemorative poster, and a collectible Vitra Toolbox invitation.
Snøhetta collaborated with VitrA to create 'Ceramics Forged in Light', an immersive installation for the MATERIAE exhibition during Fuorisalone 2026 in Milan. The project explores ceramics as a living material shaped by elemental forces such as light, water, and time, merging craftsmanship with sustainable innovation. Through sensory interplay and circular design principles, the installation invites reflection on material transformation and continuity.
Analogue Agency created a digital experience celebrating 100 years of Verner Panton for Vitra. The project reimagines Panton’s radical design philosophy through an immersive website and motion-driven social campaign that blend bold color, fluid form, and interactive storytelling. The result is a living digital ecosystem that evolves with user engagement and community co-creation.
KesselsKramer collaborated with Vitra to create the 'Royalphabet', a playful typographic system that reimagines letterforms as regal and characterful symbols. The project merges design and storytelling, celebrating creativity through a bold and unconventional visual language.
At the first New York edition of Nicer Tuesdays in 2026, multidisciplinary artist and animator Daniel Savage discussed his creative process and the irony of using a robot to create more human-feeling work. He explained how experimenting with a pen plotter as a printmaking tool has shaped his animation style and informed projects like editorial illustrations for The New York Times and his new artist book, 'Something Savage', published by Vitra editions.
The Brand Identity’s feature by Ritupriya Basu spotlights Newspaper Club’s enduring influence in reviving print culture since 2009. Through five diverse projects—from Dishoom’s Bombay-inspired zine to Cubitts’ journal and Craig Ward’s AI-driven photo essay—the article demonstrates how the studio empowers creatives and brands to explore tactile, expressive print formats. It celebrates the resurgence of print as a medium of storytelling, activism, and craft.
Creative Boom announces the return of All Flows Festival 2025, a boutique creative industries event in Milton Keynes celebrating design, typography, illustration, and innovation. The lineup includes leading figures such as David Pearson, Astrid Stavro, Yuri Suzuki, Seetal Solanki, Liza Enebeis, Tiziana Alocci, and MURUGIAH. The festival emphasizes community, collaboration, and cross-disciplinary inspiration across talks, workshops, and exhibitions.
Moscow-based studio Moscow Mule created a flexible identity and portfolio website for artist Misha Nikatin, designed to reflect his prolific creative output. The minimalist design uses Suisse Int’l typeface and a landscape scrolling format to showcase Nikatin’s work without distraction. The identity also extended to exhibition posters for a collaboration with Vitra, incorporating vibrant modernist colours.