Hall Design Cases
Designers behind the work
Designers and creative leads credited on Hall projects in press coverage.
Designers and creative leads credited on Hall projects in press coverage.
The article profiles Virginia-born graphic designer Addison Copas, who embraces creative limitations and analog methods in his type and identity work. Rejecting the 'freedom' of open-ended briefs, Copas focuses on technique, materiality, and the tactile process of designing by hand. His work, inspired by typographer Oldřich Menhart, blends medieval warmth with modern precision across projects like Milk & Olive and LampPost.Live.
Creative Boom’s 2026 roundup highlights 15 design studios that the creative community most admires, based on its annual State of Creativity survey. The article features a mix of established and emerging studios such as OK-RM, Zak Group, Porto Rocha, Hey Studio, and Accept & Proceed, showcasing their distinctive approaches and recent projects across branding, culture, and design innovation.
BP&O’s feature by Emily Gosling explores Porto Rocha’s rebrand for Kunsthalle Basel, developed under new director Mohamed Almusibli. The identity centers on a flexible KB monogram, custom typography, and a dynamic system that balances institutional gravitas with openness and experimentation. The project includes motion design, a new website, and a variable color system reflecting the museum’s evolving curatorial approach.
Brandpie has rebranded the Royal Albert Hall with a bold new identity that merges the venue’s iconic architecture with its cultural prestige. The refreshed design introduces a domed wordmark inspired by the building’s form, a unified typeface, and a simplified red palette drawn from artwork within the Hall. The project balances heritage and modernity while equipping the institution with a flexible, confident visual system.
Brandpie has refreshed the Royal Albert Hall’s identity, balancing heritage and modernity through a refined logo, unified colour palette, and updated typography. The project reintroduces the Hall’s iconic red as 'Royal Red' and uses Aktiv Grotesk to create a dynamic yet approachable voice. The new system supports the Hall’s long-term modernisation and reinforces its cultural legacy.
It’s Nice That announces the November 2025 edition of its Nicer Tuesdays event in London, featuring talks from Porto Rocha, Jennie Baptiste, Boomranng Studio, and Alice Isaac. The lineup spans design, photography, and collage, with discussions on identity, culture, and creative process. The event will be held at EartH Hackney with music by Epidemic Sound and sponsorship from El Rayo and Lovecorn.
The Brand Identity features Benjamin Lory’s design for Bazaar Hall, a food hall and cultural venue in Saint-Brieuc that reimagines a former bowling alley. The identity blends playful typography, vivid colours, and repurposed materials to celebrate the site’s heritage while introducing a lively, multicultural atmosphere. Collaborating with architects and signage specialists, Lory created a cohesive system spanning wayfinding, sub-brands, and environmental graphics.
Amsterdam-based studio ON A DAILY BASIS developed a modular brand identity for De Hallen, a cultural venue housed in a former tram depot. Drawing inspiration from Amsterdam’s tram system and the building’s architecture, the identity uses geometric shapes and a flexible colour system to represent connection and diversity. The result is a dynamic, accessible design that unites De Hallen’s varied cultural and commercial offerings.
