1 case across 1 studio
Designers and creative leads credited on Arper projects in press coverage.
Creative Boom · May 6, 2026
Creative Boom profiles French director and set designer Alix Bortoli, known for her handcrafted, sculptural stop-motion films made from wood, fabric, paper, and clay. The article focuses on her recent campaign for organic perfume brand Ffern, exploring her tactile process and philosophy of staying true to handmade craft in a digital age. It also traces her career from art school to collaborations with major fashion houses and her representation by Soixante Quinze.
Creative Boom · Oct 14, 2025
Creative Boom’s feature 'East Meets Everywhere' spotlights eight Chinese illustrators represented by Caper Illustration, a London–Shanghai agency bridging Eastern and Western visual cultures. The article highlights how these artists blend traditional Chinese art forms with modern digital techniques, working with major global brands. It celebrates the diversity, innovation, and global reach of contemporary Chinese illustration.
It's Nice That · Jan 20, 2025
The article profiles Brazilian-born, Barcelona-based designer Lorena Manhães, exploring how her editorial background informs her approach to branding and art direction. She collaborates with studios like Clasebcn and Atipus on projects for clients such as Microsoft and Arper, while also pursuing self-initiated cultural work like her project Tatuí. Her design philosophy emphasizes flexible visual systems that tell rhythmic, narrative-driven stories.
BP&O · Jul 11, 2018
BP&O features Clase bcn’s 2018 graphic identity for Italian furniture brand Arper. The project extends across print and exhibition materials, drawing on Arper’s core values of form and colour through geometric abstraction and bold colour blocking. Collaborating with MAIO Architects and Arper’s creative director Jeannette Altherr, the identity integrates photography, illustration, and material texture to create a cohesive yet varied visual system.
Steven Heller’s Daily Heller column advocates for a long-overdue monograph on Brazilian designer Bea Feitler, highlighting her pioneering work across major magazines like Harper’s Bazaar, Ms., and Vanity Fair. The article references a proposal by Serge Ricco and Bruno Feitler for an English-language monograph and calls for greater recognition of Feitler’s legacy through a book and exhibition.