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Albertus — 3 cases
Used by Colt, Mucho, Pentagram
Cases set in Albertus, as credited by the studios in their own writeups.
Used by Colt, Mucho, Pentagram
Cases set in Albertus, as credited by the studios in their own writeups.
The article profiles Elizabeth Goodspeed’s design for the book 'The New Antiquarians,' written by Michael Diaz-Griffith and published by Monacelli and Phaidon. Goodspeed’s design draws on 18th- and 19th-century typographic traditions, combining historic references with modern digital typefaces and a richly detailed visual system. The project balances maximalism and readability through thoughtful use of typography, illustration, and color.
The Brand Identity interviews Chicago-based designer Lauren Gallagher, founder of SOMETHING ELSE, about launching her studio just before the pandemic, adapting to change, and the value of co-working environments. Gallagher reflects on her career path, lessons from working at Cards Against Humanity, and her evolving approach to creativity and independence.
BP&O reviews Mucho’s brand identity for Feroz, a Barcelona restaurant and nightclub. The design draws inspiration from the venue’s lush, colonial-inspired interior by Pablo Peyra Studio, using illustration, color, and overprint to evoke a transition from refined dining to wild nightlife. Richard Baird praises the clarity and restraint of the identity within a richly detailed environment.
BP&O features Bunch’s brand identity for Galerija Kranjčar, an art gallery in Zagreb. The identity balances modern minimalism with a sense of legacy through the use of Albertus typeface, blind embossing, and vibrant paper stocks. The article also covers Bunch’s later packaging work for artist Renata Poljak’s installation ‘Partenza,’ highlighting the interplay of materiality and concept.