Schick Toikka was commissioned to create a customized version of its typeface Lateral for Max Richter's latest EP release and website. The resulting typeface, Richter Sans, is characterized by its elegant and utilitarian design, which balances faculty and form with the tactile fluidity of the album visuals. This typeface is designed to be earnest and unobtrusive, allowing Max's expressive melodies and the accompanying visuals to shine without distraction. The project blends artistry with functionality, aiming to enhance the overall presentation of the composer's work.
Paul Belford Ltd. created a 12-inch vinyl gatefold sleeve for the re-release of Max Richter’s acclaimed album 'Memoryhouse'. The design draws on the album’s themes of memory and history, featuring Alastair Thain’s photographs of Sarajevo taken from the same locations nearly a decade apart, evoking reflection and continuity.
Creative Boom’s 2026 roundup highlights 15 design studios that the creative community most admires, based on its annual State of Creativity survey. The article features a mix of established and emerging studios such as OK-RM, Zak Group, Porto Rocha, Hey Studio, and Accept & Proceed, showcasing their distinctive approaches and recent projects across branding, culture, and design innovation.
This edition of The Edit highlights five international design projects spanning charity branding, album artwork, creative coding, poster design and AI identity. Its lead project is Never Dull’s vibrant, accessibility-led rebrand for Arts for Dementia, while other selections include Alex Hunting Studio’s Richter Sans for Max Richter, Warriors Studio and Infinite Eye’s Playground platform, Casamira’s Here and Now poster, and Univers’s identity for Elara AI.