Lisson Gallery
Design work for Lisson Gallery, collected from the studios behind it.
- Design cases
- 5
- Studio
- 1
- Latest work added
- Jun 2025
- Print Design 3
- Brand Identity 1
- Editorial 1
Design cases by studio
A Practice for Everyday Life (5)
- Exhibition Catalogue Design for Carmen Herrera Works On Paper
- A bilingual publication created to accompany Carmen Herrera’s exhibition at Lisson Gallery in Milan. The design uses a minimal asymmetric grid and carefully calibrated color reproduction to reflect the artist’s precise use of space and vivid palette. Material contrasts between paper weights emphasize the book’s tactile qualities and structure.
- Publication Design for John Latham: Skoob Works
- A Practice for Everyday Life designed a publication to accompany John Latham’s 2018 exhibition at Lisson Gallery, New York. The book highlights the materiality of the printed form through duplexed paper, Swiss binding, and yellow textile tape, while referencing the visual language of 1960s art books with refined typography and generous white space.
- Exhibition Identity for Genius Loci: Spirit of Place
- A Practice for Everyday Life developed the visual identity for the 'Genius Loci: Spirit of Place' exhibition at Palazzo Franchetti in Venice. Created in collaboration with architects Carmody Groarke, the design drew inspiration from the Palazzo’s parquet flooring, featuring an abstract geometric pattern and a bright yellow palette that echoed the building’s ochre walls.
- Publication Design for Ai Weiwei: Disposition
- A Practice for Everyday Life designed a book accompanying Ai Weiwei’s politically charged works Straight and S.A.C.R.E.D., exhibited by Lisson Gallery at the 55th Venice Biennale. The publication’s formal layout and manilla-board cover evoke the aesthetics of official documentation, subtly subverted by typographic interventions that mirror the artist’s critique of authority.
- Editorial Design for Dan Graham: Not Yet Realised
- A Practice for Everyday Life designed a publication accompanying Dan Graham’s exhibition at Lisson Gallery. The book presents the artist’s unfinished sketches, plans, and notes with a layout that mirrors the spatial qualities of his pavilion installations. Broad margins and unrefined reproductions emphasize the raw, process-oriented nature of his work.
Designers behind the work
Designers and creative leads credited on Lisson Gallery projects in press coverage.
