Designers and creative leads credited on Cir projects in press coverage.
Illustrator Andy Council has unveiled a new large-scale mural at Bristol’s Cabot Circus, celebrating 20 years of his iconic 'Bristol Dinosaur' series. Created in collaboration with Upfest, the 60-square-metre artwork incorporates local landmarks and was painted on sectional boards before installation. The project continues Council’s tradition of blending city architecture with imaginative creatures, marking a milestone in his career.
The article profiles Paris-based graphic designer Malou Messien, exploring her fascination with display typography, archival book covers, and her research into Estonian design. It highlights her editorial and identity work, particularly her ongoing collaboration with Twice Studio on Tools Magazine, where she experiments with conceptual layouts and typographic techniques. The piece also delves into her design philosophy and process-driven approach.
Zware Jongens developed a new brand identity for Ghent’s historic Wintercircus, transforming the venue’s legacy into a forward-looking symbol of technology and innovation. Drawing inspiration from the building’s architecture, the identity features soft-cornered squares, a dynamic motion and sonic system, and a colour palette balancing heritage and modernity. The project reflects Wintercircus’ evolution into a hub for entrepreneurs and changemakers.
The article highlights seven standout coffee brand identities from studios around the world, including B&B Studio, Fieldwork Facility, and Alter. Each project showcases unique approaches to branding, from bold color palettes and modular systems to illustration-led packaging and custom typography. The roundup celebrates creativity and diversity in coffee branding design.
The Brand Identity interviews Pocca founder Zhihua Duan about launching the Shanghai-based studio after studying in Melbourne and developing a multicultural design approach. Duan discusses Pocca’s recent branding projects for international and local clients, their sustainable materials venture Circunow, and the challenges of bilingual typography in Chinese and English. The conversation explores how cultural context shapes design practice and the evolving creative scene in Shanghai.
BP&O features Bleed’s new brand identity for the Future Circular Collider, a CERN-led research project. The design centers on a morphing circular logo that conveys openness, dimensionality, and scientific collaboration. The article explores how Bleed’s motion and 3D approach reflects the collider’s ambition to expand our understanding of the universe.
Angel & Anchor created a sleek, minimal identity for Dublin-based Full Circle Coffee Roasters, inspired by the brand’s circular ethos and sustainability values. The design uses geometric motifs, monochrome tones, and vibrant color pops to reflect the brand’s roasts and humanist approach. The project balances Swiss-style minimalism with playful modular elements for packaging and brand applications.