
From client identity illustrations in 1995 to a fully revised typeface in 2022
LL BIFF originated in 1995 when Jonas Williamsson drew letterforms in Aldus FreeHand for a client identity project, later producing a minimal uppercase-only headline font in Fontographer. Published by Lineto in 1999, it stayed in the active catalogue—unlike other typefaces in Lineto's recent revival project. In 2022 Anatole Couteau redrew the shapes, corrected compromised outlines and irregular highlights, completed the character set, and developed an Outline cut with Williamsson. The Outline style incorporates graphic illustrations referencing Michel Jarland's new age-themed dry-transfer typeface Astral (Mecanorma, 1971).
Keep exploring
Creative Boom’s March 2025 roundup highlights six innovative new typefaces from leading foundries and designers. The article explores how each font—ranging from Damien Gautier’s Naancy to Positype’s Boom Sans—demonstrates creativity, accessibility, and cultural expression in contemporary typography. It also notes the evolution of Atkinson Hyperlegible Next as a major step forward in inclusive design.