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· Jun 11, 2026

UnderConsideration’s Brand New features andstudio’s redesign of the Lithuanian Culture Institute’s identity. The new logo and visual system use colorful geometric squares and a clean sans serif typeface to reflect Lithuania’s cultural vibrancy. The article briefly presents the before-and-after comparison of the rebrand.

· Jun 11, 2026

UnderConsideration’s Brand New platform announced the debut of 'Working Undercover' as part of its subscription-based content offerings. The post, authored by Armin, highlights the new feature available to subscribers and promotes the benefits of joining the Brand New membership program.

· Jun 9, 2026

A short 'Linked' post on Brand New by Armin announcing or referencing a new RFP that has caught attention within the design community. The article serves as a brief news mention rather than a full project review.

Creative Boom · Jun 8, 2026

The article by Katy Cowan explores how freelance illustrators can determine fair pricing, comparing project rates with day rates. Agents Jon Cockley of Handsome Frank and Clara Marcus of The Jacky Winter Company share insights on usage-based pricing, licensing, and sustainable rates. They emphasize understanding client expectations, building logical pricing structures, and maintaining transparency to ensure fair compensation.

· Jun 3, 2026

Design studio Land created the packaging for Roadie, a new non-alcoholic beer brand that embraces a classic American aesthetic. The design draws inspiration from midcentury car culture and sign painting, featuring a nostalgic logotype and roadrunner mascot to evoke traditional beer branding. The project positions NA beer as stylish and rooted in Americana rather than sterile or minimalist.

BP&O · Jun 3, 2026

Lisa Cain’s BP&O article examines Studio Bland’s packaging for Australian plant-based brand Bu Deli. The design intentionally mirrors traditional butter packaging, using familiar cues like blue tones and block formats to position the product alongside dairy butter rather than in the plant-based niche. The piece explores the fine line between familiarity and deception in plant-based branding.

It's Nice That · Jun 3, 2026

The article spotlights the V&A’s new exhibition 'Lost Music Venues', curated by Harriet Reed, which celebrates and preserves the graphic and cultural legacy of disappearing live music spaces across the UK. Featuring contributions from designers and sound specialists, the immersive display recreates the atmosphere of iconic clubs and pubs while urging visitors to support the venues that remain. The piece reflects on the social and political significance of music venues as creative and communal spaces.

· Jun 2, 2026

UnderConsideration’s Brand New briefly reports on Interbrand’s new in-house logo and identity, unveiled in 2026. The rebrand features a proprietary sans serif typeface and a black-and-white color palette, emphasizing simplicity and refinement. The article is a short review post by Armin, typical of Brand New’s coverage of major corporate identity updates.

Creative Boom · Jun 2, 2026

The article profiles Manchester-born artist and facilitator Lucy Grainge, whose community-driven practice spans installations, murals, and workshops that bring art into public spaces such as train stations, hospitals, and galleries. Through her initiative Wiggle Wonderland CIC, she collaborates with local communities to create vibrant, inclusive artworks. The piece explores her journey from art school to public commissions, emphasizing accessibility, play, and neurodiversity in her creative process.

· Jun 1, 2026

The article spotlights Studio of Design and Art’s packaging for Dukes Coffee, which uses blind debossing on dark charcoal board stock to create a tactile, understated effect. The design emphasizes craftsmanship and material simplicity, reflecting a broader return to analog and physical design techniques.

The Brand Identity · Jun 1, 2026

The Northern Block is rebuilding its typeface library through the Next Series, reengineering its core families like Loew, Lintel, and Nurom for global, multiscript use. The project involves international collaborators and advanced interpolation systems to improve readability and consistency across scripts and sizes. The initiative reflects the foundry’s commitment to cultural authenticity and technical precision in contemporary type design.

Creative Boom · May 27, 2026

Leeds-based studio Hand Drawn Pixels, led by Tom Pitts, designed nearly 200 official scarves for the FIFA World Cup 2026. Commissioned by Global Scarves LLC, the project required extensive cultural research and adaptation to woven textile constraints. The collaboration spans multiple continents and continues into the tournament’s knockout stages with live production in Dallas.

Creative Boom · May 27, 2026

Lucy Werner’s article explores why Cannes Lions has evolved beyond its advertising roots to become a global creative gathering for professionals at all career stages. Through personal anecdotes and insights from industry figures, it highlights how the festival fosters learning, networking, and inspiration for both established and emerging creatives. The piece offers practical advice for first-time attendees on how to navigate the event and make meaningful connections.

· May 22, 2026

Plezi, the better-for-kids beverage brand co-founded by Michelle Obama, has undergone a brand refresh led by Fred Hart of Hart Brand. The update reflects Plezi’s expansion into sports hydration and healthier sodas, incorporating basketball-inspired design cues and new partnerships with Stephen and Ayesha Curry.

The Brand Identity · May 22, 2026

London-based studio Land of Plenty rebranded Pot Gang, a home gardening subscription service, around a participatory concept called 'Gang Made.' The identity features a living logo with over 180 subscriber-created versions of the word 'Gang' beneath a fixed 'Pot' mark, celebrating community creativity. The rebrand extends across packaging, illustration, and motion, maintaining the brand’s DIY spirit while providing a cohesive system.

· May 21, 2026

The article, written by Satoru Wakeshima of CBX, discusses how packaging form influences brand preference, using Old Bay’s return to its original metal tin as an example. It highlights the emotional and tactile connection consumers have with packaging that feels permanent and authentic. The piece also touches on the broader implications of design choices that balance sustainability and brand equity.

· May 20, 2026

UnderConsideration’s Brand New briefly covers Interbrand’s redesign of the Ronald McDonald House logo and identity. The update features a heart and house motif rendered in red with a rounded sans serif proprietary typeface, emphasizing warmth and care. The article notes the project as part of the non-profit sector and highlights the refreshed visual simplicity.