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Creative Boom · Aug 5, 2026

Creative Boom asks experienced creatives whether it is possible to sustain a fulfilling career into later life in an industry often biased toward youth. Contributors argue that longevity comes from competing on judgment, client understanding, trust and relationships rather than speed or trend awareness, while maintaining curiosity and healthier working practices.

Creative Boom · Jul 28, 2026

Tinder and agency Jellyfish have launched Dump Traditional Dating, a campaign promoting Tinder's new Double Date feature to Gen Z. Its hero film humorously shifts daters from a rigid Victorian-style first date to a relaxed arcade double date with friends, supported by video-on-demand, radio, social content and the TikTok series Double Date Island.

The Brand Identity · Jul 16, 2026

Studio Bland developed a comprehensive, material-led identity for The Calile, a five-star urban resort in Brisbane, ahead of its 2018 opening. Drawing from Richards & Spence's travertine, concrete and brass architecture, the studio created a durable system spanning collateral, typography, illustration, digital touchpoints and minimally integrated wayfinding. Over eight years, Studio Bland stewarded and adapted the identity as the hotel grew before systems were transferred to its in-house Brisbane team.

BP&O · Jul 15, 2026

Lisa Cain argues that everyday food packaging can gain lasting value when consumers find practical uses for it after its original contents are gone. Using Quality Street tins, Gü ramekins, Bonne Maman jars and Affogato Brand Design's Rude Olive lunchbox concept as examples, the article advocates designing packaging for durability, washability, closure performance and long-term usefulness.

Creative Boom · Jul 13, 2026

BrandOpus has created the positioning, corporate identity and launch line for Hovis Bakeries, the newly combined business formed after Allied Bakeries acquired Hovis Group. The identity uses an "Elemental Power" concept based on earth, water, air and fire, deliberately avoiding familiar bread-category imagery such as wheat fields, sliced loaves and sunrises.

· Jul 1, 2026

The Dieline’s June 2026 roundup highlights notable packaging and branding stories, including Pirate’s Booty’s redesign, Moozy’s canned milk, and Coca-Cola’s World Cup collectible cans. The article also mentions collaborations like Fortnum & Mason’s biscuit tin with Design Bridge and broader discussions on AI’s role in design. It serves as a snapshot of the month’s most talked-about creative projects and industry trends.

· Jul 1, 2026

UnderConsideration’s Brand New briefly spotlights Jus-Rol’s new logo and packaging, designed by Brandon Consultants. The post notes the project as an evolution of the brand’s identity within the UK consumer products sector.

· Jun 30, 2026

UnderConsideration’s Brand New briefly spotlights a new logo created by SAND for the Association of Applied Paleontological Sciences. The post, categorized under 'Spotted', notes the use of a sans serif typeface and grunge aesthetic, aligning with the advocacy industry context. The article serves as a short announcement rather than a full review.

· Jun 29, 2026

Brand New announced that due to the typical summer slowdown in the design industry, it will publish fewer posts this week. The site will skip its usual 'Reviewed' category but continue to share smaller updates under 'Noted', 'Spotted', and 'Linked' until the July 4th weekend.

Creative Boom · Jun 29, 2026

The article by Tom May explores how designers are grappling with a shift from creating original work to refining AI-generated or pre-made content. Through insights from multiple creatives, it discusses the psychological and professional impact of this change and offers strategies for maintaining creativity, such as personal projects and setting client boundaries. The piece emphasizes reclaiming the 'maker' mindset in an increasingly automated design landscape.

· Jun 26, 2026

The article 'The Best of the Lot' on Brand New, written by Armin, highlights top recent logo and identity redesigns reviewed on the site. It references notable projects such as KFC’s rebrand by JKR and Sam’s Club’s identity by Turner Duckworth. The post serves as a curated roundup of standout branding work featured on Brand New.

· Jun 26, 2026

UnderConsideration’s Brand New briefly notes the new logo and identity for Prosper Global, designed by Chermayeff & Geismar & Haviv. The project introduces a turquoise, sans serif identity featuring an arrow and heart icon, signaling a modern and optimistic tone for the non-profit organization.

· Jun 25, 2026

Brand New, the design review platform by UnderConsideration, announced a new feature titled “Brain-freeze not Included.” The short post, authored by Armin, introduces the feature as part of the site’s ongoing editorial updates. The article serves as a brief news item rather than an in-depth project review.

It's Nice That · Jun 25, 2026

The article profiles Madrid-based designer David Heofs and his studio Bandiz, which creates tactile, analogue-inspired visual identities for musicians. Using materials like crayons, ink, and collage, Heofs blends physical craft with digital typography to produce expressive, textural designs for clients such as Sony Music and Universal Music. The piece highlights his process-driven approach and the distinctive handmade quality of his work.

· Jun 19, 2026

Mexican studio Brands&People refreshed the identity of Moctezuma, a cement and concrete brand, drawing inspiration from Mesoamerican architecture and glyphs. The new system extends across packaging, vehicles, digital platforms, buildings, and merchandise, bringing cultural pride into an industrial category.

· Jun 18, 2026

The article on Brand New, a division of UnderConsideration, announces a new post titled “Playing on the Razor’s Edge.” Published by Armin on June 18, 2026, it appears as a brief linked news item with limited content available to subscribers. No project details or design analysis are visible in the public excerpt.

Creative Boom · Jun 18, 2026

The article explores the realities faced by independent agency founders in their first year, highlighting the emotional, financial, and structural challenges of leaving established agencies to start small studios. Through interviews with founders across the UK, it reveals a shift toward smaller, more agile creative teams responding to changing client expectations and tighter budgets. The piece positions 2026 as a pivotal year for indie studios redefining the creative industry landscape.