Set for Littlemore, Stig and Gaute Ubostad
Find design references using Portrait. Browse project images and studio credits, then follow each case to its source. Typeface names come from catalogued studio writeups; coverage is limited to projects with recorded credits.
Oslo design studio Goods created plastic-free, globally recyclable packaging for reMarkable 2, the digital paper tablet made by Norwegian technology start-up reMarkable. The paper-based system uses custom-moulded embossed boxes and a die-cut translucent paper wrap, while grey typography and hand-drawn scribbles reflect the device's paper-like, multifunctional character.
London-based creative agency Praline designed GET IN, the debut hardcover photography book by French photographer Vince Perraud. Published by L’Écurie, the book documents Perraud’s travels with friends and classic Porsches across Europe, the US and Japan, using changing typefaces and fluorescent yellow foil to convey pace and motorsport energy.
BP&O’s Richard Baird reviews Bedow’s brand identity for Swedish still life photographer Gustav Almestål. The identity features a sculptural monogram, multi-coloured foil printing, and contrasting typefaces Portrait and Heimat Mono, reflecting Almestål’s interplay of light, shadow, and craftsmanship. The design balances historical art references with modern material expression to mirror the photographer’s distinctive visual style.