Territory Studio created immersive screen graphics and motion sequences for The Batman, reflecting the film’s gritty and decayed vision of Gotham City. The work emphasized worn-out technology and atmospheric interfaces that supported the narrative’s dark, investigative tone.
Territory Studio created dynamic motion graphics and screen visuals for the film 'Space Jam: A New Legacy'. The work blended futuristic interface design with playful animation to complement the movie’s energetic and digital aesthetic.
Territory Studio collaborated with director Denis Villeneuve to craft intricate holographic interfaces, type systems, and visual effects for the Harkonnen faction in Dune: Part Two. The team developed a 3D war table, weapon reticle, and custom typeface inspired by the film’s brutalist and organic aesthetic, enhancing the narrative depth and realism of the sci-fi universe.
The Mill’s Paris and Bangalore teams crafted over 70 VFX shots for the horror sequel The Nun II, focusing on the intricate newsstand sequence. Combining motion design, 3D modeling, and procedural FX, the team recreated 1950s-inspired magazines and environments with cinematic realism and tension.
Imaginary Forces created the film’s title card reveal for Warner Bros.’ The Bride, punctuating the tone with theatrical flair and cinematic mystique. Set in an overhead tableau of a figure sprawled across a vintage mosaic floor and bathed in warm amber light, the title emerges as a luminous centerpiece. The studio constructed bespoke letterforms with optical glow and lens diffusion, allowing the typography to interact with the live-action environment and patterned tile. Lighting and bloom were tuned to evoke vintage theater marquees while maintaining cinematic scale and polish. The result is a striking graphic moment—part cabaret, part fever dream—that anchors the film’s tone in bold, luminous style.
Pentagram created a dynamic brand identity for Warner Bros. Games’ new title, Harry Potter: Quidditch Champions. The logo, inspired by the Nimbus 2000 broom and the Golden Snitch, captures the speed and excitement of the sport while aligning with the broader Wizarding World visual language. The identity extends across global markets with localized versions and a custom Golden Snitch icon for digital activations.
Creative Boom's July Booms & Shakes roundup reports senior hires, internal promotions, new divisions and retail launches across the creative industry. Highlights include Oliver hiring former TikTok executive creative director Tom Skinner, Mother Design opening an analogue-craft shop in Los Angeles, and MOX launching its experiential brand-design division MOX/WORLDS with a Formula E brief.
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The article explores the resurgence of Gothic aesthetics across visual culture, from fashion and film to branding and illustration. It argues that Gothic’s endurance reflects cultural anxieties about technology and identity, with brands and artists using dark, ornate imagery to express modern unease. Examples include campaigns by Wendy’s and Booking.com, film projects by Guillermo del Toro and Maggie Gyllenhaal, and Mutant’s collectible posters.
The article spotlights Jack Sachs’ creation of a new intro sequence for Cartoon Network’s The Wonderfully Weird World Of Gumball. Collaborating with Studio Soi, Sachs developed a tactile, mixed-media animation style that reflects the show’s chaotic and playful spirit. Using VR sculpting and 3D tools, he designed hundreds of assets and a new logo that celebrate the series’ eclectic visual identity.