1 case across 1 studio
Designers and creative leads credited on GRAPHIC projects in press coverage.
· Mar 14, 2026 · Interview
PRINT Magazine’s DesignThinkers Podcast features Finnish designer Emmi Salonen discussing her book 'The Creative Wellbeing Handbook' and the importance of sustainable creative practices. Hosted by RGD President Nicola Hamilton, the episode explores burnout, slowness, and maintaining joy in design work. It highlights Salonen’s thoughtful approach to design systems and creative balance.
It's Nice That · Oct 13, 2025
The article profiles BIEN, a Los Angeles-based motion studio, and its Inclusive Motion Design (InMoDe™) methodology focused on authentic representation in animation. Co-founders Ricardo Roberts and Hung Le discuss their inclusive process, which involves diverse teams and audience feedback to avoid tokenism. A highlight project includes an illustration toolkit for the International Paralympic Committee, showcasing BIEN’s commitment to normalising diversity in visual storytelling.
Creative Boom · Jun 18, 2025
Creative Boom’s 2025 roundup highlights 20 illustrators from around the world who are shaping the industry through distinctive styles and cultural storytelling. The article, written by Tom May, celebrates artists like Jean Jullien, Christoph Niemann, and Lauren Hom for their innovation and resilience amid challenges such as AI disruption. It showcases a global mix of talent using illustration to address social issues and celebrate diversity.
It's Nice That · May 29, 2025
The article profiles BIEN, a Los Angeles-based motion studio founded by Ricardo Roberts and Hung Le, which champions inclusion and accessibility through its Inclusive Motion Design (InMoDe™) methodology. The studio works with major global clients while also launching initiatives like Creative Codex and Fliers on the Wall to make the motion design industry more equitable. BIEN’s approach emphasizes designing 'with, not for' to ensure representation and accessibility are embedded in every project.
Creative Boom · Feb 10, 2025
Creative Boom features Málaga-based studio Tiquismiquis Club and its design for the 54th ADG Laus Awards yearbook. The publication explores the theme of territory, connecting people and places through photography, maps, and textures. Founders Roberto Espartero and Juan Martin developed a dual-format book that celebrates geographic diversity and inclusivity in Spanish design.
It's Nice That · Nov 18, 2024
The article highlights the 70:15:40 Project UK exhibition, a collaborative initiative led by MPB to promote diversity and inclusivity in photography. Featuring four photographers – Hanna Ali, Roman Manfredi, Violeta Sofia, and Paloma Tendero – the exhibition showcases projects exploring identity, culture, and representation. The event opens at the Handbag Factory Gallery in London and underscores the power of art to challenge stereotypes and inspire change.
The Brand Identity · Aug 2, 2023
Rethink designed a playful and conceptually tight identity for the 2023 RGD Branding Awards, built entirely around the registered trademark symbol. The project introduced a custom typeface, Registered Grotesk, and a visual system that uses the ® mark as both letterform and pattern. The identity balances typographic rigor with warmth through an off-white and charcoal palette and inventive image treatments inspired by ASCII art.
The Brand Identity · Jul 15, 2022 · Interview
The Brand Identity interviews Singapore-based studio Fable about their growth and the story behind The State of Print exhibition. Creative director Jiahui Tan and designer Ruo Ting discuss the studio’s evolution, their type and motion-led approach, and the collaborative process behind the exhibition. The project celebrates print’s relevance in a digital age through bold typography and community engagement.
The Brand Identity · Dec 11, 2020
Singapore-based design studio Fable collaborated with Basheer Graphic to create 'The State of Print,' a hybrid digital and physical project exploring the evolving relationship between print and digital media. The project includes a book and an interactive website featuring AR, QR codes, and motion graphics, designed in a minimalist black-and-white aesthetic. Founder Jiahui Tan emphasizes the intent-driven design and educational purpose behind the project.
The Brand Identity · Dec 9, 2020
Studio Ghazaal Vojdani and Julia Novitch created a tactile, print-first identity for the Bibliographical Society of America, emphasizing materiality and the physicality of text. The rebrand uses Bretagne’s Self Modern typeface and a circular logotype to bridge the society’s scholarly heritage with a contemporary digital presence. The identity extends across print and digital applications, reflecting the BSA’s mission to celebrate the material text.
