
Geometric rigour meets transitional traits
Aguzzo draws loose inspiration from Butti and Novarese's 1951 engravers-style Augustea (Fonderia Nebiolo), specifically its triangular punctuation and enclosed figure "2", which appear as optional stylistic sets. Beyond that reference, the design pairs rigorously carved geometric forms with transitional characteristics. The italic stands at a steep 16° inclination and introduces broad-nib flourishes that contrast the sharpness of the uprights.
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