In their own words
Those were the starting points, and along the way we realised it was a good chance to rethink and redesign more things.
The big goal was to make it as easy as possible for customers to find and get the exact fonts they need.
All styles remain consistent in design, even across the wide range from Thin to Heavy. This time, instead of offering a large typeface collection, we focused on creating a simple and handy tool.
The regular style, with alternate characters like the double-storey ‘g’ and the hooked ‘l,’ is very readable in small sizes and longer paragraphs. The heavier weights are strong and bold in large sizes.
Articles & interviews2
- Displaay Launches New Site and Typeface, Simplifies Licensing
Displaay, the Prague-based type foundry, has launched a redesigned website and a new typeface called Serrif. The overhaul simplifies font licensing, introduces new tools like an Editor and Tester, and showcases playful illustrations by Martin Groch. Serrif, designed by founder Martin Vácha and team, complements their sans serif Saans, offering a neutral, versatile serif family with 42 weights and three variable axes.
- Road Sign Zero Inspires Displaay's Sans Serif Typeface 'Perfektta'
The article profiles Displaay’s new sans serif typeface Perfektta, inspired by a distinctive zero spotted on a road sign in Sardinia by founder and type designer Martin Vácha. Developed with Daniel Quisek, the typeface blends imperfect geometric forms with refined construction, resulting in a flexible, variable font family of 16 styles. The piece explores its design process, influences from road signage typefaces, and its intended versatility for modern design applications.