The historic Berlin foundry behind Akzidenz-Grotesk. Visit Berthold →
Berthold typefaces credited by studios in their case writeups.
· Aug 7, 2026
Karlssonwilker developed the visual identity for Calder Gardens, a Philadelphia cultural destination dedicated to Alexander Calder and set within gardens by Piet Oudolf. Over nearly two years, the studio and client explored more than 60 design directions before arriving at a black-and-white Söhne wordmark whose filled negative space creates a shifting, dimensional push-and-pull illusion. The extensive process is documented in Karlssonwilker's 2025 self-published book, Finding an Identity for Calder Gardens.
It's Nice That · Apr 13, 2026
Copenhagen-based design studio Alexis Mark created a new brand identity and website for architecture firm Cobe. Drawing inspiration from departure boards and timetables, the identity uses collage and utilitarian design to reflect Cobe’s sustainable, reuse-oriented ethos. A custom typeface, AM Kosmos, anchors the system, blending industrial precision with expressive form.
Creative Boom · Jan 7, 2026
Creative Boom’s article by Tom May explores how Melbourne-based studio Standard Projects created a brand identity for London post-production studio Microdot. The identity draws from cinema’s technical language—edge codes, timecodes, and film grain—to make invisible post-production work visible without breaking its illusion. The result is a restrained, monochrome system that feels authentic to filmmaking while allowing Microdot’s work to shine.
The Brand Identity · Dec 16, 2025
Standard Projects created a cinematic and technically precise brand identity for London-based post-production studio Microdot. The identity draws from film production tools and visual language, balancing artistic experimentation with disciplined execution. Using a monochrome palette and Akzidenz Grotesk, the system captures Microdot’s ethos of making the invisible visible through subtle, immersive design.
The Brand Identity · Dec 8, 2025
Walk A Thought developed a black-and-white, ink-led campaign identity for Studio Constance’s debut show at Stockholm Fashion Week 2025. The project captures the brand’s balance of structure and softness through hand-drawn illustrations, bespoke lettering, and tactile print applications. The result is a refined yet expressive visual system that mirrors the movement and tactility of the fashion collection.
Creative Boom · Nov 24, 2025 · Interview
Creative Boom’s feature by Emily Gosling marks Penguin’s 90th anniversary by exploring how typography shaped its identity. Through insights from Monotype creative director Charles Nix, the article traces Penguin’s evolution from Jan Tschichold’s modernist rigor to its digital-era adaptability. It highlights how consistent typographic systems built a brand synonymous with clarity, accessibility, and cultural influence.