1 case across 1 studio
Designers and creative leads credited on Dc projects in press coverage.
The Brand Identity · May 8, 2026
CLEVER°FRANKE developed a generative, AI-driven brand identity for Amsterdam-based consultancy ADC, translating the company’s data-centric work into a dynamic visual system. The identity uses mathematical symbols and a custom AI model to generate unique patterns for every application, balancing analytical precision with human warmth. A vibrant palette and the Ease typeface from Studio Feixen complete the system, supported by a live dashboard and collective map that evolve with user input.
Creative Boom · Sep 3, 2025
Eurovision has unveiled a refreshed global identity for its 70th anniversary, designed by Amy Bedford of Sheffield-based one-woman studio PALS. The rebrand introduces a new logo, typeface, and flexible digital system that modernises the contest’s visual identity while retaining its iconic heart symbol. The project highlights a shift toward agile, independent creative models outside major capitals.
The Brand Identity · Apr 16, 2025
MullenLowe Design Studio created a bold, eye-themed campaign for the ADC’s 104th Annual Awards, exploring the idea of creative validation through the metaphor of ‘Be Seen by the Best Eyes.’ Collaborating with ROOF Studio, the team produced animated vignettes, posters, and digital assets that merge surreal visuals with refined typography. The campaign celebrates creativity, craft, and the joy of making work that stands out.
Creative Boom · Mar 18, 2025
Vietnamese art retailer TiredCity has launched a new brand identity created by Hands Collective. The rebrand introduces a custom typeface and modernised visuals that balance Vietnam’s cultural heritage with a contemporary aesthetic. The refreshed identity supports TiredCity’s mission to make art accessible and authentic within Vietnam’s creative landscape.
BP&O · Oct 10, 2024
The article explores the history and design of the 1974 Canadian Broadcasting Corporation logo created by Burton Kramer. It details the competition that led to its selection, the design rationale behind its radiating 'C' form, and subsequent refinements in 1986 and 1992. The piece situates the logo within the evolution of Canadian broadcasting and corporate identity design.
The Brand Identity · Dec 5, 2023
Baillat Studio created the conceptual identity for the ADCC Awards 2022 campaign, themed ‘Connecting the Dots,’ symbolising the unity of the Canadian creative community. The typographic and motion-led identity used Monument Grotesk, Tiny, and Camera typefaces, with a bold orange and yellow palette balanced by grey and black. Collaborating with writer Steve Savage and developer Locomotive, the studio delivered a minimalist yet dynamic campaign across print and digital media.
SEESAW · Sep 13, 2023
SEESAW features shadcn/UI, an open-source library of beautifully designed UI components that developers can copy and paste into their applications. The listing highlights its design quality and accessibility for developers and designers alike.
SEESAW · Jul 24, 2023
SEESAW features its website design for Worldcoin, a global identity and financial platform aiming to provide universal ownership. The project highlights the use of GT America and TWK Lausanne typefaces and aligns with the Web3 and crypto finance sectors.
The Brand Identity · Nov 8, 2021
The article highlights Play’s brand identity for Worldcoin, a collectively-owned global cryptocurrency aiming for equality through biometric technology. The identity features a 3D logo inspired by global unity, a sophisticated typographic system, and a muted yet professional color palette that conveys trust and optimism.
Motionographer reports on the visual identity for ADC Young Guns 23, designed by Khyati Trehan, a previous YG19 winner. The identity draws from animation keyframes arranged in rhythmic grids, symbolizing the energy and momentum of emerging creatives. The award design emphasizes collective achievement, featuring fragments of all winners’ names on each cube.
