Studio: Daughter
The Brand Identity · Oct 13, 2025
Glasfurd & Walker created the brand identity for Selene, an Aegean-inspired bistro in Vancouver, drawing on Greek mythology and the moon goddess as conceptual anchors. The studio developed a tactile, atmospheric brand world featuring a seven-foot moon sculpture, custom illustrations, and refined materials. The result blends myth, material, and mood into a cohesive hospitality experience that avoids Greek visual clichés.
It's Nice That · Sep 23, 2025
Lovers, an East London design studio, has created a vibrant and nostalgic brand identity for Flukes, a new games hall at Big Penny Social in Walthamstow. Drawing from local archives and social club culture, the project combines retro visuals, playful copy, and immersive set design to evoke a sense of community and fun. The identity extends across posters, website, and physical details, celebrating the joy of shared leisure and mild chaos.
Creative Boom · Aug 14, 2025
Creative Boom profiles Stuart Jackson’s new personal art series, 'I Am A', a minimalist typographic project exploring identity and creative authenticity. The series marks a shift from his client work at Daughter Studio, focusing instead on introspection and creative freedom. Jackson reflects on balancing personal expression with professional practice and hints at expanding the series into new mediums.
The Brand Identity · Jun 19, 2025
Sons & Daughters ID developed a new adaptive identity system for the Mo Museum of Modern Art in Vilnius, Lithuania. The rebrand draws inspiration from the museum’s angular architecture and logo, creating a modular, generative design system that supports both internal and external creators. The project includes comprehensive brand guidelines and tools to ensure consistency across print, digital, and motion applications.
The Brand Identity · Sep 7, 2023
Sons & Daughters ID developed a charming new identity for Belgian investment fund Junction, emphasizing approachability and curiosity through illustration and vibrant colour. The design pairs Recoleta and Tomato Grotesk typefaces and draws inspiration from Tintin comics to reflect the fund’s collaborative and inquisitive spirit.