
From comping manual to typeface
Miguel Reyes encountered Tommy Thompson's 1946 comping manual, in which Caslon headlines were quickly hand-rendered with a broad-tipped pencil, stroke weight modulated by rotating the nib to create unusual serifs with interlocking, angled endings. That rough, informal quality became the lens for reinterpreting Nicolas Jenson's late-fifteenth-century Venetian types. Nicola is a robust, low-contrast typeface whose simplified details push toward slab-serif territory.
Set in Nicola
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