
Designer · Other
Father’s Day is less about obligatory sentiment (like a ubiquitous “Best Dad Ever” mug) and more of an opportunity to say something deep and meaningful.
Instead of whipping out my smartphone on the subway to pass idle time looking at Reels and Stories, I choose instead this delightful book.
He preferred instead to create a fresh idea designed specifically for the poster.
To him, the poster was a happy medium for injecting his personal handlettering and typography.
The first lunar fly-around mission in more than 50 years has given me the same feeling of excitement and hope I had when the Mercury program sent single-manned capsules into space for the first time ever.
This NASA swag is not a monument to design but it is a record of when heroics were valued and leaders were respected because they were heroes.
You’ve heard the prediction that “print is dead” for too many decades.
These days, AI is being discussed as the latest murderer of it all.
What makes mini-food so appetizing is not simply the incredible craftsperson’s attention to perfect detail—though that’s a much appreciated touch.
I am the modern Gulliver and these Lilliputian things are in my service—and beck and call.
Steven Heller’s article for PRINT Magazine highlights the Jewish Museum’s exhibition 'Modernity and Opulence: Women of the Wiener Werkstätte,' which explores the overlooked contributions of Jewish women artists and patrons to the early 20th-century Viennese design collective. Curator Kristina Parsons discusses the exhibition’s aim to reframe modernist design history through a more inclusive lens, emphasizing the multidisciplinary work of these women across textiles, ceramics, and graphic design.
Steven Heller interviews Colombian illustrator Catalina Estrada about her richly detailed, nature-inspired work that merges Latin American culture with global influences. Estrada discusses her education, process, and long-term collaboration with Paulo Coelho, as well as her evolving exploration into motion and procedural animation. The article highlights her belief in color and beauty as transformative tools connecting people and cultures.
Steven Heller reflects sentimentally on Father’s Day, exploring its commercial origins and personal meaning. He contrasts the holiday’s profit-driven history with his own memories of his father and the emotional value of genuine appreciation. The essay blends humor, nostalgia, and critique of consumer culture while celebrating fatherhood’s enduring significance.
PRINT Magazine’s June 2026 Book Club discussed *The Art of Saving Democracy*, an interactive publication presented as an action kit featuring posters, postcards, and artworks by notable artists. Debbie Millman and Steven Heller hosted a conversation with Svante Myrick, Tracie Ching, and Na Eng about how art can inspire civic engagement and community participation. The discussion emphasized art’s power as a democratic tool and a catalyst for collective action.
Steven Heller reports on the New York Botanical Garden’s 'Flower Power' exhibition, a summer event celebrating the art, activism, and aesthetics of the 1960s and 1970s. The show features works by iconic artists such as Andy Warhol, Milton Glaser, and Corita Kent, alongside new installations by contemporary artists Eugenia Mello and Amie Jacobsen. The exhibition explores themes of peace, protest, and environmentalism through vibrant, flower-inspired art and design.
Steven Heller’s Daily Heller column spotlights Fabulatorio’s new book, 'ABC Seoane', dedicated to the Galician designer Luis Seoane. The publication, co-published with the Luis Seoane Foundation, aims to introduce Seoane’s graphic and design legacy to new generations through an alphabet book format. The project celebrates Seoane’s influence on Galician visual culture and his multidisciplinary contributions to art and design.
Steven Heller’s Daily Heller column spotlights isolarri’s pocket-sized book series, particularly the new release AH!MERICA, adapted from Allen Ginsberg’s lectures on William Blake. The article praises the publisher’s sustainable, whimsical approach to print and the tactile pleasure of reading a miniature book in a digital age.
Steven Heller’s Daily Heller column critiques an AI-generated image posted by Donald Trump depicting himself as a savior figure. The article highlights the backlash and ethical concerns surrounding AI-generated political imagery and the potential dangers of unregulated AI use by public figures.
Steven Heller interviews Matt Lamont about the growth of his Design Reviewed archive, a vast collection of graphic design magazines, posters, and ephemera. Lamont discusses his mission to make design history more accessible and inclusive, the expansion of his holdings, and his upcoming book with Unit Editions. The piece highlights his process of scanning, cataloguing, and sharing materials online for public and academic use.
Steven Heller’s Daily Heller column spotlights the revival of Roy Kuhlman’s distinctive hand-lettered style through a new typeface designed by Steven Brower, Craig Welsh, and David Jonathan Ross. The Kuhlman font, released through Ross’s Font of the Month Club, has already been adopted by major brands and cultural institutions. The article explores the typeface’s origins, aesthetic influences, and its unexpected popularity among contemporary designers.
Steven Heller interviews comic artist Michael DeForge about his new book 'All the Cameras in My Room,' published by Drawn & Quarterly. DeForge discusses his approach to satire, emotional storytelling, and the use of multiple visual styles to explore themes of technology, grief, and identity. The conversation highlights his influences and creative process behind several stories in the collection.
Steven Heller reflects on illustrator Brad Holland’s lesser-known passion for poster design, revealing a large body of work discovered after Holland’s death. The article discusses Holland’s approach to creating original posters, his typographic sensibility, and plans for a posthumous exhibition curated with the help of his former assistant, Jonathan Twingley.
Steven Heller interviews Houston-based designer Jennifer Blanco of Field of Study about her self-published book 'How Not To Run a Graphic Design Studio & Other Hard Lessons.' The conversation explores the realities of running a small design business, balancing creativity with sustainability, and the design philosophy behind the book’s approachable yet rigorous visual style. Blanco reflects on lessons learned from experience and the importance of authenticity and continual learning in studio practice.
Steven Heller reports on the debut of the Peanuts Symphony, a new concert experience performed by the Seattle Symphony and produced by Gershwin Entertainment Corp. The event celebrates Vince Guaraldi’s music and marks key anniversaries for both his career and the Peanuts television specials. The production features original animated backdrops from classic Peanuts episodes.
Steven Heller reflects on the renewed excitement surrounding NASA’s Artemis II mission and his lifelong fascination with space exploration memorabilia. He recalls his youth collecting NASA ephemera and praises the design legacy of the agency’s visual identity, particularly the worm logo by Danne and Blackburn. The piece connects nostalgia for mid-century space design with optimism for the future of exploration.
In this short Daily Heller column, Steven Heller reflects on the recurring claim that 'print is dead' and the new wave of anxiety surrounding AI’s impact on design. He argues that while technological and economic shifts are real, the doomsday narrative about design’s demise is overstated. The piece revisits an older essay of his to question whether such fears remain relevant today.
Steven Heller’s Daily Heller column spotlights Ghostly International’s 25th anniversary book, designed by James Goggin of Practise. The 488-page volume, published by Hat and Beard Press, chronicles the label’s visual and musical history through essays, interviews, and archival artwork. Goggin discusses his design process, balancing clean structure with the label’s eclectic visual identity.
In this Daily Heller column, Steven Heller reflects on the enduring appeal of Japanese miniature food models, praising their meticulous craftsmanship and cultural authenticity. He describes his personal fascination with collecting these tiny plastic meals, viewing them as exercises in design appreciation rather than toys. The piece blends humor, nostalgia, and design critique to explore why such small-scale creations remain so visually satisfying.
In this opinion piece, designer and writer Elizabeth Goodspeed argues that design writing benefits when designers themselves take part in it. She explores how writing helps designers articulate their thinking, connect their creative and analytical practices, and make design discourse more reflective and nuanced. The article highlights examples like Ray Masaki, Michael Bierut, and Steven Heller to illustrate how writing and design can inform each other.
Steven Heller revisits George Lois’s 1965 Esquire cover for John Sack’s Vietnam War story, a typographic design that shocked readers with its stark message and minimalist power. The article reflects on how the once-provocative image has lost some of its impact in a world desensitized to wartime atrocities.
Steven Heller interviews illustrator Michael Sloan about 'Separation,' a new comic series in The New York Times created with journalist Jake Halpern. The series follows a Honduran family navigating fear and uncertainty amid U.S. immigration enforcement. Sloan discusses the emotional weight of the project, its journalistic rigor, and its potential to foster empathy and awareness.
Steven Heller interviews Eric Himmel about his new book 'The Art of Biodiversity,' published by Abrams. The book explores the intersection of art and science through 18th- and 19th-century natural history illustrations, highlighting artists like Ernst Haeckel. Himmel discusses his process of researching, writing, and designing the book himself, emphasizing the enduring beauty and influence of biodiversity art.
Steven Heller reflects on the evolution of children's photography and the influence of social media on visual culture. Drawing connections between a 1930s photography book and today’s smartphone imagery, he muses on how new mediums reshape our ways of seeing. The piece also references Leonard Marcus’s exhibition at The Eric Carle Museum exploring photographic children’s books.
Steven Heller’s article highlights the release of Civilization #7, the latest edition of the experimental broadsheet newspaper founded by Richard Turley, Lucas Mascatello, and Mia Kerin. The publication continues its exploration of language and AI-generated content, maintaining its distinctive black-and-yellow, text-heavy design. The new issue is available through Printed Matter, Magculture, and Public Knowledge Books.
Steven Heller interviews Hungarian media artist David Szauder about his surreal, AI-driven digital artworks that blend archival photography, collage, and animation. Szauder discusses his evolution from early computer graphics to generative AI, his collaboration with Anna Réka Baktay, and his installation for the Ludwig Museum. The conversation explores his fascination with the absurd, his ethical approach to AI, and the emotional intimacy of his visual narratives.
Steven Heller interviews Anna and Elena Balbusso, the identical twin illustrators known as the Balbusso Twins, about their collaborative process and artistic philosophy. The article coincides with their first New York exhibition at the Society of Illustrators, highlighting their research-driven, multidisciplinary approach to illustration. The twins discuss their evolution from separate artists to a unified creative identity and their commitment to complexity and experimentation.
Steven Heller’s Daily Heller column spotlights Dame’s bold delivery truck campaign, which turns vibrator advertising into a street-level spectacle. The piece highlights the brand’s mission to close the 'Pleasure Gap' and its design-led approach to sexual wellness products. Heller praises the campaign’s audacity and effectiveness in capturing public attention.
Steven Heller’s article celebrates the 90th anniversary of 'The Story of Ferdinand,' exploring its enduring cultural and artistic significance. Curator Jane Bayard Curley discusses the new exhibition at The Eric Carle Museum, the book’s pacifist themes, and Robert Lawson’s masterful illustrations. The piece reflects on the book’s historical controversies, global influence, and Disney’s adaptation that cemented Ferdinand’s place in popular culture.
Steven Heller interviews author Alex Wright about his new book 'Empire of Ink', which explores the origins of the American newspaper and the radical printers who shaped early press freedom. Wright discusses his family’s ties to small-town journalism, the mythology of the 'printer’s devil', and the social history behind early American print culture. The conversation highlights the enduring tensions between free expression, information overload, and the evolution of media from ink to digital.
Steven Heller interviews illustrator and author Yevgenia Nayberg about her new graphic memoir, 'Chernobyl, Life, and Other Disasters.' The conversation explores her artistic process, influences from Soviet-era life, and how her visual storytelling captures both personal and historical experiences. Nayberg reflects on her style, her connection to Kyiv, and the resilience of creativity under political constraint.
Steven Heller interviews illustrator Gemma Correll about her new graphic novel 'Anxietyland,' which explores her lifelong experiences with anxiety and depression through humor and visual storytelling. Correll discusses the therapeutic aspects of creating the book, her influences, and her approach to depicting mental health in comics. The conversation highlights the intersection of personal narrative and design in contemporary illustration.
Steven Heller’s Daily Heller column spotlights 'Psychedelicatessen: A Powerful Dose of Art by Steve Marcus,' a new exhibition at the YIVO Institute for Jewish Research and the Center for Jewish History. The show merges 1960s counterculture and Jewish tradition through Marcus’s humorous, psychedelic artworks. Curator Eddy Portnoy discusses Marcus’s unique blend of pop art, parody, and cultural commentary within the Jewish art continuum.
Steven Heller interviews D.B. Dowd about his new book 'Reading Pictures: A Cultural History of Illustration,' which examines illustration’s role in shaping literacy, media, and modern culture. Dowd discusses the historical evolution of illustrated books from the Middle Ages to the 20th century and how illustration intersects with ideology, consumer culture, and representation. The conversation highlights illustration as both an art form and a cultural document.
Steven Heller’s Daily Heller column spotlights 'The Illustrated Life of Terry Southern: Book One (1924–1938)', a new graphic biography by Ethan Persoff and Scott Marshall. The project explores the early life of writer Terry Southern through a scrapbook-style comic format blending archival research, illustration, and narrative experimentation. Persoff discusses the creative process, research methods, and the cultural relevance of Southern’s satirical legacy.
Steven Heller’s Daily Heller column reflects on the importance of well-designed food labels, tracing the history of nutrition labeling from the 1940s to the FDA’s standardized Nutrition Facts Panel designed by Burkey Belser. He recounts a personal experience with confusing Proposition 65 warnings on a gluten-free flatbread package, arguing that compliance alone isn’t enough—design clarity is essential to avoid consumer fear and misunderstanding.
Steven Heller’s Daily Heller column explores the Indiana-born tradition of 'senior cords'—hand-decorated corduroy garments that became a unique form of DIY folk design. The article features an interview with designer and editor James Sholly about the latest issue of Commercial Article, which documents the history and cultural significance of these garments with contributions from historians and curators. The piece highlights how this local fashion phenomenon evolved into a creative expression of identity and community pride.
Steven Heller reports on the Sanitation Foundation’s 'Trucks of Art' initiative, where five artists transformed New York City sanitation trucks using leftover household paints. The zero-waste challenge promotes sustainability and celebrates the DSNY workforce through public art displayed across the city’s boroughs.
Steven Heller interviews Palestinian cartoonist Mohammad Sabaaneh about his forthcoming graphic memoir 'Welcome to Hell: From the West Bank to Gaza.' The conversation explores his experiences of imprisonment, censorship, and the challenges of creating political art under occupation. Sabaaneh reflects on his role as a cartoonist, the risks he faces, and the broader context of artistic repression in Palestine.
Steven Heller revisits 'The Graphic Canon,' a three-volume anthology edited by Russ Kick that reimagines classic literature as comics and visual adaptations. The project, published by Seven Stories Press, features newly commissioned works from dozens of illustrators and explores the boundaries of the literary canon through graphic storytelling. Heller reflects on its cultural significance and the enduring debate around what constitutes a literary classic.
Steven Heller revisits Thomas Maitland Cleland’s 1940 essay 'Harsh Words,' a sharp critique of modernist design and functionalism delivered at an AIGA event. The article contextualizes Cleland’s neo-classical stance against the rise of modernism and industrial design, highlighting his defense of craftsmanship and typographic tradition. Heller reflects on how Cleland’s arguments still resonate in today’s debates about originality and technology in design.
Steven Heller revisits Thomas Maitland Cleland’s 1940 essay 'Harsh Words,' a scathing critique of modernist design and functionalism delivered at an AIGA event. The piece highlights Cleland’s defense of craftsmanship and ornamentation against the rise of industrial and modernist aesthetics, showing how his arguments still resonate in today’s debates about technology and design standards.
Steven Heller profiles Irvin Ungar, the former rabbi who has spent decades reviving the legacy of Polish-born illustrator Arthur Szyk through exhibitions, publications, and a new memoir. Ungar’s work has reintroduced Szyk’s politically charged and intricately detailed art to modern audiences. The article highlights Ungar’s dedication to preserving Szyk’s message of social justice and artistic excellence.
Steven Heller’s Daily Heller column spotlights the overlooked artistry of cartoon title cards, inspired by the book 'Original Cartoon Title Cards' by Eric Homans and Fred Seibert. Seibert, founder of FredFilms and former head of Frederator Studios, reflects on the creative craft behind these brief yet visually rich animations. The article celebrates the design, typography, and illustration traditions that shaped decades of animated television.
Steven Heller’s Daily Heller column highlights the exhibition 'Modern Design Across Borders' at the Wolfsonian–FIU, curated by Silvia Barisione. The show explores how industrial modernism and cross-cultural exchange shaped design between the World Wars, featuring works by designers such as Loupot, Rodchenko, and Bianchi. The article reflects on the machine aesthetic and the rise of functional, sleek design during this transformative period.
Steven Heller reports that the U.S. Postal Service has announced its upcoming 2026 Route 66 Centennial Stamp Collection, featuring roadside photography by David Schwartz. The series celebrates the cultural and historical significance of the iconic American highway. Schwartz revealed he had been working on the project in secrecy for over a year and a half.
Steven Heller reviews Helen A. Harrison’s novel 'A Fair Corpse', a murder mystery set at the 1939 New York World’s Fair that intertwines art, design, and crime. Heller compares it to Erik Larson’s 'The Devil in the White City', noting its blend of historical figures and fictional intrigue. While he finds the plot improbable, he appreciates its vivid depiction of the art world and fairgrounds.
Steven Heller reports on 'Design, Socialism, Modernism: Didactic Exhibition,' a new show curated by Dejan Kršić with Marko Golub and Tena Lovrenčić that explores Yugoslav socialist design through posters and graphic works from the 1950s to 1970s. The exhibition examines how visual communication reflected and shaped the cultural and political dynamics of socialist Yugoslavia.
Steven Heller interviews comics artist R. Sikoryak about his new book 'Declaration / Emancipation Illustrated,' published by Drawn & Quarterly. The project reimagines America’s founding documents through the lens of over 100 different American cartoonists’ styles, blending historical texts with pop culture imagery. Sikoryak discusses his creative process, influences, and approach to parody and fair use.
A short Daily Heller post by Steven Heller reflects on David Hockney’s 88 years of life and artistic wisdom, accompanied by a photo courtesy of Adrian Wilson. The article briefly acknowledges Hockney’s enduring influence and creative insight.
Steven Heller recounts how Paul Rand’s 1985 book 'A Designer’s Art' became the first graphic design book to receive a front-page feature in The New York Times Book Review. Heller, then an art director at the Times, helped facilitate the review and suggested Alan Fern as the reviewer. The article reflects on the significance of this milestone for design recognition in mainstream media.