I’ve learned that we’re always trying to push beyond easy aesthetic answers.
I pay a lot of attention to my surroundings.
‘World Heritage and Tourism in a Changing Climate’, published by UNEP, UNESCO and the Union of Concerned Scientists, became the starting point in selecting each location.
It’s a slightly creepy but personal way for visitors to realise their potential impact on our environment.
It’s Nice That’s annual ‘Review of the Year’ highlights 2024’s top 25 graphic design stories, spanning rebrands, typographic debates, and nostalgic visual trends. The roundup features projects from studios like Collins, Studio Frith, and Little Troop, as well as commentary on industry issues such as unpaid pitching and the use of mockups. The article reflects a year defined by retro aesthetics, thoughtful branding, and critical reflection on design culture.
This interview with COLLINS associate designer Jingqi Fan explores her journey from interning at Apple and freelancing for Nikolas Type to joining COLLINS in New York. She discusses her design philosophy, experiences working in-house versus agency, and her personal project 2°C EARTH, which aims to raise awareness about climate change. The conversation also touches on her adaptation to life in NYC and creative routines.
The article profiles Jingqi Fan’s self-initiated digital project 2°C Earth, an interactive website designed to educate users about the global climate crisis through immersive visuals and data-driven storytelling. Combining editorial typography with minimal, image-led design, the project highlights the environmental threats facing five UNESCO heritage sites worldwide.