Type Designer · Founder
What we learn from coding helps with designing and vice versa.
I find it quite liberating to work with just a limited range of weights, styles, optical sizes, you name it.
Creative Boom’s feature explores NAM and Warriors Studio’s identity for the 2025 International Assembly in Glasgow. The branding uses sculptural, stone-like 3D typography paired with clean Neue Haas Grotesk subtitles to question conventional ideas of functionality in design. The project celebrates experimentation, digital craft, and the balance between clarity and abstraction for a creative audience.
Warriors Studio collaborated with NAM to create the 2025 identity for Glasgow’s International Assembly festival. The concept draws on the idea of a typographic parade, combining playful 3D stone letterforms, cinematic references, and vibrant characters to express the festival’s communal energy. The identity merges physical and digital techniques, using VR sculpting and layered typography to question functionality and legibility in design.
The article spotlights Helsinki-based designer Marina Veziko’s vibrant and sustainable brand identity for Freestyle, a new eco-friendly baby care brand. The identity combines a playful, colorful aesthetic with a custom wordmark inspired by the Earth and retro graphics, balancing sustainability with visual energy. Collaborations spanned photography, 3D, motion, and web development to create a cohesive, standout brand presence.
Fold7Design has developed a new visual identity for blockchain platform Near, emphasizing limitless scalability and open-source creativity. The identity uses a grid derived from Near’s infinity ‘N’ symbol, a custom lowercase wordmark, and the FK Grotesk typeface. A vibrant green color and motion-led applications reinforce Near’s mission to engage developers and reflect its dynamic Web3 community.
The article showcases Studio Oker’s brand identity for European geodata company Field, which merges natural and technological influences. The identity features a geometric logo inspired by geospatial data layers, FK Grotesk typography, and animations reflecting organic growth and progress. The design uses a calm, nature-inspired color palette and extends across digital and physical applications.
Sydney-based design director Michele Verze rebranded Australian consultancy Chasm Digital as FORMM, creating a new identity that reflects agility and innovation. The project features a geometric logo inspired by the letter 'O', a purposeful orange and blue palette, and the open-source Space Grotesk typeface for consistency and accessibility. The rebrand positions FORMM as a forward-thinking digital consultancy with a cohesive and flexible visual system.
Berlin-based studio Mirage created a pixel-focused brand identity for French tech start-up TiHive, inspired by the electromagnetic spectrum and the company’s TeraHertz technology. The identity features multicolour gradients, a futuristic logotype, and a typographic system combining Space Grotesk, Formular, and Space Mono. The result conveys innovation and technological progress through a vivid, spectrum-based visual language.
The article profiles Jingqi Fan’s self-initiated digital project 2°C Earth, an interactive website designed to educate users about the global climate crisis through immersive visuals and data-driven storytelling. Combining editorial typography with minimal, image-led design, the project highlights the environmental threats facing five UNESCO heritage sites worldwide.
The Brand Identity interviews Florian Karsten about his multidisciplinary practice combining design and coding. He discusses the evolution of his studio in Brno, the creation of FK Grotesk, and the identity for Brno Art Week 2019 featuring a crocodile illustration by Tereza Bierská. The conversation explores how programming informs design and the studio’s approach to type and web projects.