Structure Bâtons created the visual identity for “Sous le texte la carte,” a study day organized by Sébastien Biniek for ÉSAD Grenoble-Valence in Valence. The project was produced as an A1 digitally printed format. Its documented subject is cartographic text: the textual layer that names elements on a map and supports the reading and learning of cartographic language.
Structure Bâtons created a public workshop for ÉSAD Grenoble-Valence in Valence, credited to Lucile Bataille. Using vegetables collected at a market, the workshop produced vegetable inks as a basis for experimenting with letter drawing. Cut fruits were also used as drawing tools, introducing unpredictability into the marks made.
Structure Bâtons created the 2015/2016 “Ateliers Tous Publics” information booklets for ÉSAD Grenoble-Valence. Produced for the school’s two sites, the 15 × 21 cm booklets comprise 16 and 24 pages and were printed in offset in an edition of 1,500 copies. Their covers present practical details including location, date, and registration, while the interiors provide an overview of the workshops and activities.
Structure Bâtons designed the 2016/2017 “Ateliers Tous Publics” booklets for ÉSAD Grenoble-Valence. The 16- and 24-page, 15 × 21 cm booklets communicate the school’s public educational workshops across its Grenoble and Valence sites. Covers carry practical information including location, date, and registration details, while the interiors provide an overview of workshops and activities; 2,000 copies were offset printed.
Structure Bâtons designed a website for ÉSAD Grenoble-Valence’s research unit, “Enjeux du design graphique.” The site lets unit members publish texts through a WordPress engine. Its graphic and editorial design uses macrotypographic settings—including hierarchies and dynamic footnote calls—to support the reading of substantial articles. The site was made in collaboration with Maxime Foisseau (Papascript).
Structure Bâtons produced “Grand comme une maison” for Ésad Grenoble Valence in 2013. The A3, one-page work was issued in an edition of 100 and produced using screen printing. Lucile Bataille is credited as author, with Sylvie Garraud and Raphael Vermeil credited as collaborators.