The Annette case on The Mill’s portfolio documents more than 160 VFX shots for Leos Carax’s film, which opened Cannes in 2021. The Paris and Liège teams combined a projected wave and CG work for the boat sequence, removed the puppet’s cables and mechanisms through invisible compositing, and built a digital concert arena around the physical puppet.
The Mill collaborated with director Andrey Zvyagintsev and CG Cinema to deliver image post-production and visual effects for the film Minotaur. Their team worked closely with the cinematographer and colorist to craft the film’s distinctive visual tone and atmosphere.