Aldo Design Cases
1 case across 1 studio
Designers behind the work
Designers and creative leads credited on Aldo projects in press coverage.
News & interviews
- Crown Creative Revolutionizes Hospitality Branding with Emotion
Creative Boom · Apr 28, 2025
Creative Boom profiles Crown Creative, a Belfast-born, New York-based studio known for its storytelling-driven hospitality branding. Founder Ryan Crown and his team discuss their evolution, philosophy, and major projects including The Dead Rabbit, Le Méridien, and Birch Cabins. The article highlights their strategy-first approach, global reach, and commitment to experience-led design.
Crown CreativeHarry's NYCThe Dead Rabbitbranding - “The guest experience is so important.” Crown Creative on being immersed in the hospitality industry
The Brand Identity · Jun 21, 2024 · Interview
The Brand Identity interviews Crown Creative’s Creative Director Ryan Crown about the studio’s multidisciplinary approach to hospitality design. Based in Belfast, London, and New York, the studio combines strategy, branding, and interiors for clients like The Dead Rabbit, Hilton, and St. Regis. Crown discusses the importance of guest experience, collaboration, and storytelling in creating immersive hospitality brands.
Crown CreativeThe Dead RabbitHiltonbranding - Fred Aldous by Saul Studio
The Brand Identity · Apr 29, 2019
The Brand Identity features Saul Studio’s refresh of the visual identity for Manchester’s long-established arts and crafts retailer Fred Aldous. Drawing from the store’s extensive archives and a vintage sign, the new identity introduces a seal alongside Fred’s signature, applied across digital, print, and spatial contexts.
Saul StudioFred Aldousbranding - New Logo & Brand Identity for Caldo Coffee by 25ah
BP&O · Jan 12, 2017
BP&O features the new brand identity for Caldo Coffee, a café located in Stockholm’s Scandic Continental hotel, designed by Swedish studio 25AH. The project includes a neon-inspired logo, cohesive packaging, and a distinctive custom-built menu board that ties into the café’s modern interior. Richard Baird praises the continuity between interior and printed materials, noting the effective use of Helvetica Condensed Bold and a clean green-and-white palette.