Designers and creative leads credited on Adc projects in press coverage.
MullenLowe Design Studio created a bold, eye-themed campaign for the ADC’s 104th Annual Awards, exploring the idea of creative validation through the metaphor of ‘Be Seen by the Best Eyes.’ Collaborating with ROOF Studio, the team produced animated vignettes, posters, and digital assets that merge surreal visuals with refined typography. The campaign celebrates creativity, craft, and the joy of making work that stands out.
The article explores the history and design of the 1974 Canadian Broadcasting Corporation logo created by Burton Kramer. It details the competition that led to its selection, the design rationale behind its radiating 'C' form, and subsequent refinements in 1986 and 1992. The piece situates the logo within the evolution of Canadian broadcasting and corporate identity design.
Baillat Studio created the conceptual identity for the ADCC Awards 2022 campaign, themed ‘Connecting the Dots,’ symbolising the unity of the Canadian creative community. The typographic and motion-led identity used Monument Grotesk, Tiny, and Camera typefaces, with a bold orange and yellow palette balanced by grey and black. Collaborating with writer Steve Savage and developer Locomotive, the studio delivered a minimalist yet dynamic campaign across print and digital media.
SEESAW features shadcn/UI, an open-source library of beautifully designed UI components that developers can copy and paste into their applications. The listing highlights its design quality and accessibility for developers and designers alike.
Motionographer reports on the visual identity for ADC Young Guns 23, designed by Khyati Trehan, a previous YG19 winner. The identity draws from animation keyframes arranged in rhythmic grids, symbolizing the energy and momentum of emerging creatives. The award design emphasizes collective achievement, featuring fragments of all winners’ names on each cube.