
Ten years from one letterform to a four-script family
Sukoon is a multi-script typeface family by Jan Gerner (Yanone), developed over ten years from a single letterform sketched during a period of deep personal calm. The design spans Latin, Arabic, Cyrillic, and Greek scripts, with 10 styles and a variable font offering three axes: weight, Kashida width, and Swash width. Released in 2026, it received a Silber at the Designpreis für Design aus Deutschland. Development of the family prompted Gerner to begin building an entirely new font editor, Counterpunch.
Set in Sukoon
Keep exploring
Creative Boom’s February 2026 roundup by Tom May highlights notable new type releases from global foundries. The selection spans bespoke commissions, multiscript collaborations, and variable font innovations, reflecting a strong focus on inclusivity, craft, and typographic versatility. Each featured release demonstrates renewed ambition and thoughtful design across the international type community.
Creative Boom features Wiedemann Lampe’s bio-inspired brand identity for the newly opened Natural History Museum Abu Dhabi. The identity draws from Mecanoo’s pentagonal architecture and natural forms, using biomorphism and biomimicry to create a flexible system that works across digital, spatial, and print applications. The project integrates a custom typeface, a broad natural color palette, and a concept called 'The Power of Five' to unify the museum’s narrative and design language.
The Brand Identity features Fontwerk’s new typeface Tausend, a 1,000-weight variable font created by Christoph Koeberlin and Gabriel Richter through a cross-continental collaboration between Berlin and Fukuoka. Rooted in German grotesque tradition yet experimental in form, Tausend spans six subfamilies and showcases advanced variable technology for flexible, modern use. The project highlights Fontwerk’s technical innovation and the designers’ shared commitment to pushing typographic boundaries.
Creative Boom’s July 2025 roundup spotlights new typefaces and foundry launches from studios including D8, Brand Brothers, and Fontwerk. The article highlights six notable font releases—Lost, Tausend, RT Lately, Bus Sign, Karel, and SLTF Rigale—showcasing trends in experimental and heritage-inspired typography. It also notes the rise of new foundries and tools like Fonts Ninja that are shaping how designers discover and use type.