Osvald Landmark
Designer
In their own words
What truly drives me is the process in its entirety, from start to finish.
TWIST is constantly evolving and might be something completely different than a magazine in a couple of years.
My most successful collaborations were with people I enjoyed having conversations with.
Articles & interviews
- The Edit: five projects including Bravo’s brand for Sweet Cheeks’ gelato that you really need to see
The Brand Identity’s biweekly feature ‘The Edit’ spotlights five standout design projects from around the world. Highlights include Bravo’s playful AI-driven branding for Singaporean gelato brand Sweet Cheeks, Slope’s pixel-inspired identity for Dream3D, Blair Hodge’s refined design for Cape Town’s Bar Mona, Otherwise’s joyful refresh for children’s brand Little Larch, and Osvald Landmark’s new typeface Mule Cargo. The article celebrates creativity across branding, typography, and digital design.
- He’s got range: from designing typefaces to live visuals, Osvald Landmark has a lot going on
The Brand Identity interviews Osvald Landmark, a New York-based designer and Senior Designer at 2x4, about his multifaceted creative practice spanning type design, live visuals, editorial projects, and collaborations. He discusses his book 'Shape Sifting,' his typeface Mule Cargo, his role at Twist Magazine, and recent visual projects for theatre and opera. The conversation explores his process-driven approach, interdisciplinary collaborations, and evolving creative philosophy.