Nolan Paparelli
Type Designer, Designer
In their own words
It made total sense to have this direct relationship between Everett’s pictures and the Everett typeface.
I wanted to start with photography so that in the middle we have a pure type spread.
I wanted to feature pictures that are not too repetitive and make interesting details while folded.
It’s been a long process of back and forth, a sort of typographic ping pong between two designers.
I think that basic knowledge and skills in typography are very important.
I’ve recently joined Nizar Kazan in his venture called WELTKERN®.
I would say that a lot of Swiss gems from Optimo and Lineto are generally underrated.
Articles & interviews6
- Fable&Co. rebrands TQA for an AI space still writing its own rules
Fable&Co. has rebranded TQA, an AI and automation consultancy, to better reflect its evolution into an agentic AI authority. The new identity uses dark, atmospheric foundations with luminous gradients and glass morphism to convey intelligence and adaptability. The rebrand includes a full strategic and visual overhaul, anchored by the TWK Everett typeface and a modular grid system designed for scalability.
- Top 5 Sans Serif Typefaces for Brand Identity
The Brand Identity’s article by Poppy Thaxter highlights five standout sans serif typefaces—Neue Montreal, ABC Favorit, Aeonik, Roobert, and GT America—showcasing how they’ve been used across various branding projects. The piece references multiple studios and designers who have applied these fonts in identities spanning fitness, real estate, fashion, and technology sectors. It celebrates the versatility and enduring appeal of sans serif typography in modern brand design.
- Navarra.is bring two-tone clarity to Buynomics with their light-mode, dark-mode identity system