We always try to improve our work as designers.
Numero Berlin was art directed by some of the best art directors I know.
The Brand Identity’s interview with designer Leonhard Laupichler explores his journey from studying design in Münster to working at Bureau Borsche and eventually embracing freelancing. Laupichler reflects on his experiences with major fashion and cultural clients, his passion for typography, and his self-initiated project 'New Aesthetic'. The conversation highlights his creative philosophy, work habits, and plans for future exhibitions.
The Brand Identity interviews Mirko Borsche of Bureau Borsche about the studio’s current structure, recent projects, and creative philosophy. Borsche discusses their work for Haus der Kunst, Numero Berlin, and football clubs Internazionale Milano and Venezia FC, as well as plans to open a Milan office. The conversation highlights the studio’s evolving approach and commitment to high-quality design across cultural and commercial sectors.
The article highlights Bureau Borsche’s rebrand for global fashion platform FARFETCH, emphasizing a minimalist and confident visual identity. The new system centers on a bespoke sans serif typeface, FARFETCH Basis, developed with Colophon Foundry, complemented by Nimbus Roman and a new monogram called the FARFETCH Fuse. The identity balances editorial sophistication with digital functionality, reflecting the brand’s global luxury positioning.
The Brand Identity reports on the 2019 relaunch of iconic British magazine The Face, redesigned and art directed by Munich-based Bureau Borsche. The studio created three custom typefaces and a bold visual identity that honors the magazine’s original cultural influence while updating it for a new generation. The reborn publication continues its legacy of provocative journalism and creative direction.
The article presents 'Egokollektiv,' a monograph dedicated to German designer and conceptual artist Peter Zizka. Designed by Ken Hegemann, the book features contributions from notable designers including Mirko Borsche, Eike König, Erik Kessels, and Stefan Sagmeister. The piece highlights the collaborative nature of the project and its minimalist black-and-white aesthetic.