Illustrator · Photographer
I like to observe people and myself, and take notice of things that I find amusing or insightful.
I'd love for people to be inspired to slow down and take notice of themselves.
I didn’t want to bring too much with me, but wanted to ground myself in physical work as I’d been yearning for it for a long time.
Sometimes when I look at a blank page I feel like I have too much opportunity and then do nothing.
It just took practice and learning to trust myself again.
Looking back at what I chose to draw, it felt like my personal collection of moments, things I picked out of millions I saw and thousands of pictures I took.
Creative Boom profiles Irish-Ukrainian illustrator Harriet Yakub, whose work transforms everyday observations into humorous, cartoon-like illustrations. The article explores her process, from word associations to hand-drawn etching, and highlights her clients, awards, and evolving projects such as her self-published series Makewatch. Yakub’s practice is rooted in finding meaning and humor in ordinary moments.
It's Nice That Insights has released 'The Tiny Tourist Report', a free research-driven publication proposing a more mindful approach to travel and travel marketing. The report explores how creative teams can adopt a 'Tiny Tourist' mindset, featuring contributions from Trippin, Lonely Planet, and a range of photographers and artists. It aims to inspire more thoughtful, authentic representations of travel experiences.
It’s Nice That’s annual ‘Review of the Year 2025: Top 25 Illustration’ highlights the most memorable illustration stories of the year, celebrating artists who explored nostalgia, everyday life, and human connection. The feature spotlights illustrators like Angelica Frey, Helen Oxenbury, and Irasutoya, showing how traditional and personal illustration continues to thrive despite the rise of generative AI imagery.
The article profiles Irish illustrator Harriet Yakub and her self-initiated travel notebook project, created while journeying through East Asia with only pencils and a notepad. Through limited materials and daily sketching, she overcame her fear of the blank page and reconnected with analogue illustration. The project reflects her rediscovery of creative confidence and a renewed appreciation for physical drawing.