A Practice for Everyday Life designed the publication 'Art and (Bare) Life: A Biopolitical Inquiry' by Josephine Berry for Sternberg Press. The design subtly mirrors the book’s exploration of political philosophy and contemporary art through bold typographic contrasts and striking color choices. A bespoke typeface and vivid palette evoke tension between modernity and history, reflecting the text’s conceptual depth.
A Practice for Everyday Life designed the book *Botanical Drift*, published following a workshop at Kew Gardens. The design draws inspiration from botanical specimen labels and field guides, featuring bespoke lettering, fern-like ornamentation, and a recycled board cover. Inside, a dynamic grid and animated running headings echo the spirit of botanical exploration and the layout of the Marianne North Gallery.
A Practice for Everyday Life designed the publication 'Ornament and Crime' to accompany a group exhibition curated by Meg O’Rourke at Eykyn Maclean in New York. The design draws inspiration from Modernist principles and Piet Mondrian’s Tableau-poème, featuring linear motifs and asymmetrical layouts that echo the exhibition’s conceptual framework.
HelloMe® developed the book design for 'Miamification', published by Sternberg Press. The project explores the visual identity of the publication through a contemporary and conceptual layout that reflects the book’s critical and cultural themes.
A Practice for Everyday Life designed a book documenting the community projects of Rochester Square, a North London arts and crafts centre founded by Francesca Anfossi and Eric Wragge. The publication weaves together photography, essays, and recipes to reflect the organic, communal spirit of the space, with typography that echoes the connection between clay, food, and garden.
A Practice for Everyday Life designed the book 'Flows and Counterflows: Globalisation in Contemporary Art' by Marcus Verhagen for Sternberg Press. The geometric cover, inspired by scientific diagrams of forces, reflects the book’s exploration of global exchange and movement. The pairing of French and Icelandic typefaces reinforces the themes of migration and cultural interplay within the text.